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While the streets of America burn in the wake of George Floyd’s public lynching, a lesser known tragedy is playing out in Brazil. As COVID-19 ravishes the South American behemoth, home to the second largest number of infections worldwide, police and military forces continue spilling the blood of Black youths.
Maybe I'm just a bleeding-heart lefty, but I hope that most people would answer this question with a 'no'. Unfortunately, if you read the comment section of any news story on the recent spate of drug-related deaths at music festivals you will find a mixed response.
With such a wide range of crimes under the death penalty banner, what will sentencing in the new Malaysia look like? And what timeline can be expected, given the government has a diverse suite of policy priorities for its first term.
My astute mother was the first to suspect Maggie of taking and selling my clothes to fund her addiction. After that, my friendship with Maggie fell apart. I began to hate her and wanted nothing to do with her. This year, that all suddenly changed.
These sprinklings of poison through the press, with occasional mentions in New Zealand, serve two purposes: to show Australian refugee policy as sound, and offshore detention and resettlement in an unsuitable third country as appropriate; and to deflect attention from the discharge of obligations under the UN Refugee Convention.
In an age of 'budget repair' when both sides of politics are trying to contain the welfare budget, the search for savings and silver bullets is relentless. If Ministers Porter and Tudge are really seeking 'a way of assisting people to get off drugs and back into work', they should convince their cabinet colleagues of the need to increase the Newstart and Youth Allowance so that it might provide a real start for assisting people to survive with dignity while preparing for and getting back into work.
If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.
Though the internet has stretched and expanded the number of people and places we have access to, it has also constrained the range of ideas and opinions to which we're exposed. Research has found that Facebook users tend to read and share information that reinforces their own beliefs. This phenomenon has been particularly noticeable in the past month, with the emotion whipped up by the Brexit campaign, the election, and a spate of shocking, apparently Isis-related killings.
A cyclist since my youth, I was intensely annoyed when campaigners first tried to enforce cycle helmets. I loved the wind rushing through my hair, and believed my safety could be left to my responsibility. Others might have wondered if I overestimated my sense of responsibility. It was hardly compatible with the practice of never applying the brakes when going down hills on country roads, or with the view that traffic rules applied only to cars. Later, I came to see that individual freedom must be considered in its context of human relationships.
Hollywood need not deny the violence cartels have perpetrated upon one another, members of the public, police and military. But to almost exclusively engage with Mexico in terms of this violence provides a badly limited perspective on that country. Hollywood does something similar when it goes to Africa and tells only stories of warlords and child soldiers. To do so brings nothing to the conversation, but merely exploits tragic situations for the benefit of laughs and action.
There's a running gag that in Hollywood there are few roles for women over a certain age, unless you are Meryl Streep. Of course it isn't really a joke, if you consider the consistently dire statistics regarding gender, age and race diversity in mainstream American films. Whatever you make of this deplorable inequality, there can be little doubt that Streep is an actor singularly dedicated to her craft, who works hard and throws herself with aplomb into the wide range of roles that come her way.
The lack of restraint on Wilson's part, the indignity that shrouded Brown's body long after his death, the disproportionate force deployed against protestors and journalists in the aftermath – this has become the canvas upon which the long grievance of racialised oppression has found vivid expression.