keywords: Abc1

  • ARTS AND CULTURE

    Cronies of the nudge and wink

    • Grant Fraser
    • 14 May 2013
    3 Comments

    When ibis move, they do so in rosters of fastidious steps, each bird as polite as a grandad who is looking for the salt ... Stooped in twos or threes like patient skittles, they whisper quiet inventories of silvered figments and storied frogs.

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  • ARTS AND CULTURE

    Family Christmas torture and triumph

    • Tim Kroenert
    • 29 November 2012
    2 Comments

    This year, in my immediate family, there has been a separation, the sale of a beloved home, the purchase of another house, and the birth of a child, my nephew. If you, like me, are someone who is accustomed to Christmas Day as a 'family occasion', you may be equally aware of the fraught nature of that innocent description. 

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  • ARTS AND CULTURE

    Rembrandt's denial of Christ

    • Grant Fraser
    • 30 October 2012
    5 Comments

    Peter, I gave you such handsome possibilities, had your face shining like a saint, and yet still, on this third occasion, you can only find a lie.

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  • AUSTRALIA

    News and entertainment a difficult mix

    • Michael Mullins
    • 25 June 2012
    6 Comments

    Many Fairfax readers will miss the familiarity and romance of print. But more disturbing is the likelihood that the dignified authority of the Sydney Morning Herald and The Age mastheads will be lost when the more ephemeral, entertainment-oriented electronic edition is all we have.

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  • ARTS AND CULTURE

    Problems with atheism

    • Various
    • 17 April 2012
    14 Comments

    The problem with being an atheist is the lack of possibilities, a world to come into being, a kingdom to be worked for, blood and sweated for, any hope of future travels curtailed with science.

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  • MEDIA

    Germaine Greer and gay exploitation

    • Matthew Holloway
    • 28 November 2011
    25 Comments

    It is commonly thought that men represent both the main producers and consumers of pornography. Germaine Greer points out that men are also its victims. In the case of gay porn, just because there is no woman involved doesn't mean that it is not exploitative.

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  • ARTS AND CULTURE

    Australia's child abuse parable

    • Tim Kroenert
    • 27 October 2011
    4 Comments

    At its heart is an act of violence against a child. But on the whole The Slap stands as an epic parable of middle class Australia. The tagline 'Whose side are you on?' is a furphy: it is impossible to wholly sympathise with any character. 

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  • MEDIA

    'Fundamentalist' Albrechtsen's Malaysia misfire

    • Max Atkinson
    • 13 October 2011
    6 Comments

    In supporting her opposition to gay marriage, the best Janet Albrechtsen could say was that the opinion was her own, and was 'fundamental'. These remarks shed light on Albrechtsen's bizarre attack on the judges of the High Court over their decision on the Malaysia solution.

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  • ARTS AND CULTURE

    Spider monk

    • Grant Fraser
    • 30 August 2011
    2 Comments

    Now he is pursed within the curl of his leaf, a monk at watch for those lost souls, whom he might trap in the sneer of his silken intentions.

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  • MEDIA

    The commercialisation of the ABC

    • Paul Collins
    • 05 August 2011
    22 Comments

    Increasingly the ABC is 'outsourcing' material to commercial production companies. Interest group Friends of the ABC describes this as 'privatisation by stealth' and is calling for a public inquiry. All who value the ABC and its role as a public broadcaster need to support this call.

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  • RELIGION

    Australia's burqa fallacy

    • David Tittensor
    • 03 August 2011
    20 Comments

    Just because we can debate something, doesn't mean we should. As with any right there is the responsibility to exercise free speech judiciously. A quick survey of the Muslim population in Australia highlights the absurdity of debating whether there is a place for the burqa in our society.

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  • AUSTRALIA

    How not to treat asylum seeker kids

    • Kerry Murphy
    • 06 June 2011
    9 Comments

    Woomera, 2001. It's late, and we've been working for days. I give the detainees' children highlighters to draw with; unknown to me, one of them draws on the office wall. The next day an officer from the camp accosts me. 'This is damaging government property. Someone will have to pay for it.'

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