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Timothy Radcliffe has a hopeful vision for the Church, yet noting the slow pace of institutional change in his recent visit to Australia, he presented a sort of optimism that eschewed any hope for immediate outcomes. The basis for Radcliffe’s optimism seems to be his assumption that it is acceptable for the Church to take its time.
Each year, the Stations of the Cross liturgy affects me more than I had planned. Annually, I am left wondering: why does this ritual work? Well, it has much to offer: a narrative with exposition, climax and denouement; characters big and small; blood, gore, politics, virtue, cowardice and a pointer towards mystery.
As challenges to anti-discrimination exemptions are likely to persist within Catholic education, how can the government and religious institutions collaborate effectively to balance the freedom of expressing religious beliefs with safeguarding the rights and freedoms of everyone involved?
The Vatican's decision to let priests bless couples in 'irregular relationships' has sparked diverse reactions within the Australian Church, revealing the complex interplay of faith and cultural diversity within Australia’s Church communities.
In our more routine lives, most of us have people and groups whom we ignore, we instinctively look down on and we keep away from and people whose beliefs we scorn. We need to be attentive to the people who are commonly regarded as second-class citizens.
Today, the claims of Christianity are no longer common knowledge among a Catholic student cohort that comes from many faith traditions and none, but the Catholic school has a place for them all. Has the classroom become the ecclesial face of the Catholic Church in the 21st Century?
Fifty years ago, the Aboriginal Liturgy was the first attempt by the Catholic Church in Australia to re-shape the Mass, and was the first time we had witnessed and experienced Aboriginal people expressing their Catholic faith in ways that were culturally different from our own.
To close the year for Eureka Street, the editorial team wanted to nominate who we considered to be the Eureka Street ‘person of the year’ based on this year's newsmakers.
The bandage around my knee drew the practitioner’s eye, and my attempt to talk it away as a minor issue was no match for her professional perseverance. While I waited, she called in a specialist from orthopaedics, who took a good look at the affected area and warned me that unless I presented myself at outpatients very soon, ‘this could kill you’.
My Father’s Shadow is a beautifully constructed three-dimensional jigsaw puzzle in which perfectly formed and elegant stories from different times and places are juxtaposed and tested for fit, so forming a pattern of meaning that is never closed.
Can the essence of human frailty—our inconsistencies, our biases, our passions—really be replicated in ones and zeros? And if so, what becomes of the human voice once the machines learn to speak?
An intricate tale that delves deep into the realm of cults, deception, and the human psyche, The Running Grave goes beyond a mere detective yarn, with a narrative that confronts society's susceptibility to manipulation and questions the very fabric of our beliefs.
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