keywords: Tim Kroenert

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  • CONTRIBUTORS

    Tim Kroenert

    • Tim Kroenert

    Tim Kroenert is the editor and film reviewer for Eureka Street. He previously worked for five years with The Salvation Army's National Editorial Department, working as a subeditor and staff writer across its various publications including the flagship publication Warcry. He is a published fiction writer and his articles and reviews have appeared in The Age, Inside Film, WQ, the Courier-Mail and The Big Issue.

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  • ARTS AND CULTURE

    The time-traveller's strife

    • Tim Kroenert
    • 22 March 2017

    All stories that deal with time travel will come up against paradoxes. Generally the success of the story will come down to how capably these paradoxes are dealt with, and how consistently with the story's internal logic. Otto Bloom turns on the concept of time as an extension of the physical dimensions. If time is as tangible as physical space, then all events in time are occurring simultaneously. That we perceive time as moving in a particular direction is a feature of our human consciousness.

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  • ARTS AND CULTURE

    Faith and humanism behind Tim Winton's curtain

    • Tim Kroenert
    • 26 October 2016
    1 Comment

    'When I was a kid I liked to stand at the window with a rifle and aim it at people.' So begins the opening, titular essay. It is a singularly arresting entre to an essay that charts the author's complex relationship with firearms (part awe, part terror), by way of commenting on the place of guns in Australian society. In this collection of essays Winton adopts this mode frequently, weaving (sometimes deeply) personal narratives into stirring, thoughtful commentary on a broad range of social and political issues.

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  • ARTS AND CULTURE

    Abuse victim's post traumatic horror

    • Tim Kroenert
    • 16 April 2015

    The manner in which Hugh drugs and binds Jay has strong overtones of 'date rape'. More than this, though, there is inherent violence in his having had sex with her at all, knowing that her consent hinged on her ignorance of the real consequences. Now, to be fair, there are men in the film who suffer, too. But the objectification of women by the male gaze and the predatory dynamic this entails is too pervasive to ignore.

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  • ARTS AND CULTURE

    Human stories from Tim Winton's Australia

    • Tim Kroenert
    • 12 September 2013
    3 Comments

    A boy plays a treacherous prank on his brother while visiting the beach. A domestic violence victim finds comfort in a bizarre distortion of Christian faith. A man sees a news report and follows his memories back to the day of a childhood tragedy. A woman, grieving for a broken marriage, paws through her husband's box of memories. The filmmakers put their stamp on each story while paying due reverance to Winton's sublime prose.

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  • ARTS AND CULTURE

    Time runs out for idiot slavers

    • Tim Kroenert
    • 07 February 2013
    1 Comment

    Lincoln's quest to end slavery is a centrally moral endeavor requiring political maneuvering and even underhandedness to achieve. Whereas Spielberg's Lincoln hums with quiet patriotic fervour, Django Unchained is pure irreverence and a vicious 'up yours' to the idiocy of white supremacy. 

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  • ARTS AND CULTURE

    Bedtime flatulence and marital bliss

    • Tim Kroenert
    • 24 January 2013
    1 Comment

    Despite moments of crass humour, This Is 40 is centrally moral, even conservative in its elevation of 'heteronormative' family unity. It stands as a nuanced riposte to the simplistic assessment made by one character that Debbie and Pete 'aren't right for each other'. Marriages are complex, and even troubled ones may not be easily dismissed.

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  • ARTS AND CULTURE

    Grace and intimacy in Les Miserables

    • Tim Kroenert
    • 13 December 2012
    5 Comments

    Valjean betrays a priest who has been kind to him, and the persistence of that man's mercy despite this betrayal sets the tone for Valjean's journey. The compassion and generosity to which he aspires contrasts with the Old Testament sternness of Javert, who is both driven and tortured by a dedication to divinely ordered justice.

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  • ARTS AND CULTURE

    Intimate study of a failing marriage

    • Tim Kroenert
    • 07 June 2012
    3 Comments

    A group of women debate whether familiarity with a long-term spouse is not better than the passion of a new relationship. Everything new gets old, argues one woman. Take This Waltz is a kind of morality play about a woman torn between the familiarity of the old and the excitement of the new.

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  • RELIGION

    Atheism vs religion: half time update

    • Andrew Hamilton
    • 20 October 2011
    35 Comments

    Public interest in the aggressive form of atheism represented by Richard Dawkins and Christopher Hitchens, and the religious response to it, seems to have waned. This half time break gives commentators a chance to grab a pie and sauce and assess who is likely to win.

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  • ARTS AND CULTURE

    Intimacy in same-sex friendships

    • Tim Kroenert
    • 04 June 2009

    Peter's a sweetie with the ladies, but never got his head around the whole male bonding thing. So he sets out on a series of man-dates, with the aim of finding a friend. His first attempts are spectacular failures. And then he meets Sydney.

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  • ARTS AND CULTURE

    A voice for victims of the sex trade

    • Tim Kroenert
    • 22 August 2007

    The Jammed is a frank and gritty cinematic reminder that the issue of human trafficking is not just on Australia’s doorstep—tragically, it’s part of the furniture. The most unsettling human degradation is protected by walls of silence and secrecy, and is the oxygen that keeps the sex industry alive.

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