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Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
Much has recently written about the doctrine of discovery and its bearing on the treatment of Indigenous peoples, particularly in the United States where it grounded an early legal decision. The doctrine enshrined in law claims that the discovery of underpopulated and cultivated lands conferred on the discoverers the right to ownership, and was used to justify colonial occupation of territory in the Americas, Asia and Africa.
To many who work in the arts industry, the rise of art-making artificial intelligence may pose an eventual threat to their livelihoods. Will independent artists be replaced by corporations using AI to generate mass entertainment?
History has repeatedly shown us that what gets us through a crisis, what helps us to recover and rebuild, is responding to it with prosocial behaviour ― working together, starting with our communities at the local level, and from there building mutually supportive relationships at and across every level of society.
We all know the Internet can be a seething cesspool of vitriol, so the presence of heart-warming videos of people slipping $20 into someone’s coat pocket or randomly complimenting a stranger, even the ubiquitous handing out of flowers, is largely welcome. But is this actually kindness? If an act of kindness happens and no one is there to film it, did it really happen?
Former detainee, Kurdish-Iranian refugee Mostafa ‘Moz’ Azimitabar, seeks compensation from the Federal Government for what he alleges was unlawful detention. Detained offshore in Papua New Guinea (PNG) and in Australia for almost eight years, Moz is seeking compensation in the Federal Court of Australia for the physical and emotional toll of his detention, particularly from the final 14 months of detention in two Melbourne based hotels.
Daniel Mendelsohn lectures in classics at Bard College, a liberal arts institution in New York State. His retired father, aged 81 in 2011, regrets gaps in his own education, and asks to sit in on his son’s course of seminars on Homer’s The Odyssey. Professor Mendelsohn agrees, and Jay Mendelsohn joins a class of 18-19 year-olds. Later, father and son go on a cruise that retraces The Odyssey where they discover: is home a physical place, or something you carry around with you or within you?
The ‘Land Rights Now’ banner is hoisted against the wind, and the marchers set off for the Embassy. A young Aboriginal woman walks ahead of the banner. She has dyed her hair red. She turns and leans into the wind to face the marchers, holding a megaphone to her mouth. ‘What do we want?’ she shouts, ‘When do we want it?’ And she keeps going, exhorting the marchers. We reply ‘Land Rights … Now!’ The crowd tires before she does.
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