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In contrast to Luther, John Molony never discovered the grace that would free him from the guilt and anxiety caused by his not meeting expectations. Nor did he reject the pattern of church relationships and theological assumptions that endorsed these expectations. He simply lost hope that he could live as a good priest.
He walked with his back hunched, his lowered head inches above his toes. As if he feared cavities or his own anonymity. That black dog stopping at every fence post.
The narrator of Philip Roth's novella The Dying Animal is self-indulgent, narcissistic, and driven by the urge to sexually conquer. The film Elegy transposes Roth's log of masculine decline into a mournful lament for the dead.
Kevin Hart on the poetry and essays of Czeslaw Milosz.
Chris Wallace-Crabbe on After Shakespeare: An Anthology and The Oxford Book of Aphorisms, both edited by John Gross.
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