Keywords: Film
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
Chappaquiddick notes the effects of these expectations on Ted's actions, without sympathising. 'I'm not going to be president,' he murmurs, by way of announcing Kopechne's death to Gargan. He comes off as more pathetic than Machiavellian, the future Liberal Lion rarely having the courage of his convictions.
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ARTS AND CULTURE
At the time of his death in July last year, Geoffrey Gurrumul Yunupingu was the most commercially successful Aboriginal Australian musician to ever grace this world. Anyone expecting Gurrumul to resemble anything like your typical popular music documentary will be quickly dissuaded. Gurrumul was a far cry from your typical popular musician.
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ARTS AND CULTURE
Tully is a funny film, with a serious core: a tribute to the labour of child rearing, a dissection of the substantial physical and emotional burden of this work, and a 'show-don't-tell' critique of the social norms that frequently sees that burden fall, still, primarily on women.
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ARTS AND CULTURE
The boys conquer one hazardous feat after another: entering the ocean via rocky cauldrons; sharing waters with a mythic giant shark; tackling waves that rear up over a deadly shallow reef. In so doing they confront their fears: of physical peril; of failing, or failing to meet the expectations of the group; of existential ordinariness.
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ARTS AND CULTURE
- Tim Kroenert
- 19 April 2018
1 Comment
A grim and gripping tragedy on this personal level, as a whole Loveless functions also as a metaphor for political life in contemporary Russia. The fatal fracturing of its relationship with its neighbour Ukraine provides a backdrop and, for the degeneration of Zhengya and Boris' marriage and the resultant alienation of their son, a touchstone.
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ARTS AND CULTURE
- Tim Kroenert
- 11 April 2018
1 Comment
The commentary around the film's appropriation of Japanese culture has been sustained and substantial. At least these allusions are for the most part detailed and respectful; that the hero is named after a defunct American video game company is less palatable. Trickier still are the creative decisions related to language.
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ARTS AND CULTURE
- Tim Kroenert
- 04 April 2018
4 Comments
For gay teens and those who known them, the film is vitally affirming. But there's baggage that comes with its treatment of these themes that undercuts its efforts to engage the experience of alternative sexual orientation. Simon may be gay, but he is also explicitly a privileged white man.
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ARTS AND CULTURE
- Tim Kroenert
- 23 March 2018
We know how this is going to turn out historically: the 1971 referendum is successful. There is a certain quaintness to the film that makes it feel off the pace of the current conversation around women's rights. But there is an engaging frankness to its attention to the sexual liberative dimension of women's self-agency.
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ARTS AND CULTURE
- Neve Mahoney
- 22 March 2018
1 Comment
The Bechdel test, which deems there must be two named female characters who talk to each other about something other than men, has become shorthand for gauging gender imbalance in films. But it isn't always a good test. If you take the rules literally, Suicide Squad, which is aggressively misogynistic, passes on a technicality.
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ARTS AND CULTURE
- Tim Kroenert
- 16 March 2018
2 Comments
Kane insists God doesn't make mistakes: 'That's what makes him God.' Lena retorts with reference to the Hayflick limit — the naturally occurring limit on the number of times cells can divide. Never mind cancer; the very fact of ageing, she says, comes down to a flaw in our DNA. It's a telling scene, pointing to a scientifically enlightened humanity at odds with its own physiology.
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RELIGION
'Two men struggle against a determined emperor and the frailties of the human spirit in order to live out the Gospel and spread their message to the world.' Eureka Street has ten double in-season passes to give away to Paul, Apostle of Christ. Click below for details.
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ARTS AND CULTURE
- Tim Kroenert
- 07 March 2018
1 Comment
Last year Brooklyn Museum exhibited radical 20th century works by American women of colour alongside The Dinner Party, a 1970s Second Wave feminist piece noted for its white, middle-class preoccupations. The resonance of this pairing illuminates the plight of Christian, hero of the Swedish art-world farce The Square.
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