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As I was reading the illuminating contributions to Class in Australia I had to confront my attitudes to Marxist analysis, to the claims of sociology, social work and psychology to be sciences, to the relative importance of inequality based on wealth, gender and race, and to any claim that canonises individual choice while claiming to be value free.
The Prime Minister has recently denounced ‘the growing tendency to commodify human beings through identity politics‘. In doing so, he raises a number of important questions. The claim of ‘commodification’ of human beings and their relations is a powerful one.
Disabled people, and those that love them, have told the latest hearing of the Disability Royal Commission about their experiences in the health system. Neglect, abuse, violence all featured, with medical people and systems often talked about, not as caring health professionals, but as callous and cruel.
I wasn't born here. My family migrated to Australia when I was young and so I enjoyed the privilege of growing up without the war and discrimination that has marred my birth land, although there is a different type of discrimination that I have had to face being an Asian in Australia. In being here though I know I am living on stolen land.
Intersectionality describes the experience of overlapping oppression faced by black women. Criminologist Chris Cuneen discusses the double jeopardy faced by Indigenous women in Australia who live under both colonialism and the patriarchy. Throw in capitalism and you get a sometimes-lethal triple threat.
The main character has a black partner, and her best friend is a black lesbian. Yet there is no exploration of race politics. We are supposed to believe that a world which is both incredibly class-driven and misogynistic is also non-racist. Even though we know through intersectionality theory and basic world history that this never happens.
The Bechdel test, which deems there must be two named female characters who talk to each other about something other than men, has become shorthand for gauging gender imbalance in films. But it isn't always a good test. If you take the rules literally, Suicide Squad, which is aggressively misogynistic, passes on a technicality.
Did you see the news today? Law failed love. Let love be law.
The confusion around the term 'identity politics', and its frequent misuse across the political spectrum, sees it regarded with suspicion and contempt, as both conservatives and the traditional left use it as a slur to dismiss any discussions of racism and sexism.
A little over a year ago, Lionel Shriver delivered the opening address at the Brisbane Writers Festival, deriding political correctness and defending the practice of cultural appropriation by white writers. This year's festival didn't attract real controversy, but the memory of last year still lingered, and it's clear that parts of that mentality live on.
There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.
The lower wage for players in the AFL women's league has serious equity implications, beyond the clear discrepancy between men's and women's wages. In order to train three times a week, many players will be required to relocate closer to their clubs. This puts their day jobs in jeopardy, meaning only those who can afford to change jobs or take time off can afford to play. This has the potential to seriously skew the playing group towards those who are from higher socio-economic status.
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