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Keywords: Isbn

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Explaining anti-Chinese sentiment in Indonesia

    • Dewi Anggraeni
    • 27 February 2007

    In the 1990s, Soeharto and his ministers were renting their power to business-savvy ethnic Chinese. The masses, unable to vent their anger at corrupt officials, shifted their targets to those associated with them, knowing that they could do that with impunity.

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  • ARTS AND CULTURE

    Novels' modern characters draw empathy

    • Tony Smith
    • 27 February 2007

    World literature is much richer for the input of Italian Andrea Camilleri, Australian Peter Corris and Scot Ian Rankin.  They have mastered the art of presenting modern characters in contemporary situations.

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  • ARTS AND CULTURE

    Catholics learning to love themselves (humbly)

    • Michael Mullins
    • 24 December 2006

    A new history of the North Sydney Jesuit parish describes the turbulent '60s, during which there was a shift in the disposition of Catholics from a feeling of it being "easier than one thinks to hate oneself", towards "learning to love oneself humbly". From 17 October 2006.

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  • ARTS AND CULTURE

    Personal odyssey in the steps of three Gobi women

    • James Massola
    • 23 December 2006
    1 Comment

    After discovering books by three women, a Lonely Planet editor from Melbourne resolves to follow in their footsteps, in the hope of giving some purpose to her aimless wanderlust.

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  • ARTS AND CULTURE

    An alternative to the crude barometer of public opinion

    • Michael Ashby
    • 11 December 2006

    Most political studies are poll-driven. Because qualitative data are far less likely to be available, little is known about the the political experience and imaginings of "ordinary" Australians.

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  • ARTS AND CULTURE

    Fidel's social justice legacy

    • Chris McGillion
    • 13 November 2006
    2 Comments

    No assessment of Fidel Castro’s legacy will be complete without serious attention to his thoughts on religion and to how and why, over the past 20 years, he has turned Cuba from an international troublemaker into a global champion for social justice.

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  • ARTS AND CULTURE

    Unpolished gem shines brightly

    • Tony Smith
    • 30 October 2006

    The situation of children who experience not just a generation gap, but also a distance from parents whose migrant inheritance includes a "million scruples that made no sense".

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  • AUSTRALIA

    "Australian values" learned in Budapest uprising

    • Michael Danby
    • 30 October 2006
    5 Comments

    Today, Hungary is a country as free as Australia. But 50 years ago—on 23 October 1956—Hungarian students rebelled and issued a manifesto demanding free elections. The Soviets reacted ruthlessly.

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  • ARTS AND CULTURE

    Catholics learning to love themselves (humbly)

    • Michael Mullins
    • 30 October 2006

    A new history of the North Sydney Jesuit parish describes the turbulent '60s, during which there was a shift in the disposition of Catholics from a feeling of it being "easier than one thinks to hate oneself", towards "learning to love oneself humbly".

    READ MORE
  • ARTS AND CULTURE

    The Unknown Terrorist

    • Michael Ashby
    • 30 October 2006
    1 Comment

    The author of The Sound of One Hand Clapping and Gould’s Book of Fish has come up with a veritable novel "for our times". Here is a gripping tale of Australia (well, Sydney at least) in the midst of a terror campaign.

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  • AUSTRALIA

    Questioning the limits to freedom

    • Michael Mullins
    • 30 October 2006
    5 Comments

    No advocate of democratic freedoms has defended Sheik al-Hilali's right to compare immodestly dressed women to uncovered meat. The message is that promoting freedom is often—but not always—a valid means of recognising values that enhance individual and collective humanity.

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  • ARTS AND CULTURE

    Deft turns pepper Napoleon's final lap

    • Clive O'Connell
    • 16 October 2006

    Belgian-born Australian, Simon Leys, follows an elliptical path, allowing his readers enough latitude to bring their own experience to bear on the novella. He maintains his ironic position both amused by his hero’s progress and sympathetic to him.

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