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Arts minister George Brandis has accused artists of 'bullying' corporate heavyweight Transfield. The artists' recent ultimatum to the board of the Sydney Biennale threatens to kill the event and possibly the entire model of arts sponsorship in Australia. Both sides of the dispute have lost sight of the opportunity that networking between artists and sponsors offers for civilised conversation that leads to a better world for all.
In the face of the Federal Government's resolve to be unemotional in its attitude to financial assistance for Qantas, we have Bill Shorten warning us against 'waving goodbye to an Australian icon'. Underlying mention of Qantas as an 'Australian icon' could be the sentiment associated with the 1990s resurgence of nationalism and its racist undertones associated with Pauline Hanson.
Alcohol has a privileged place in polite society. All mood changing substances rely on a myth of a better life and relationships, but the alcohol myth is distinctive because it is rooted in high as well as in popular culture. Attempts to regulate its consumption and limit the damage it does will therefore always be unlikely to succeed.
The budget problems are not caused by Newstart or disability pensions, which have been declining as a proportion of economic activity. Had the Howard Government not been so generous with its tax cuts to upper and middle income groups, there would today be no budget deficit.
It is now weeks since any asylum seekers arrived in Australia, and under the Abbott Government there have been no reported deaths at sea involving Australian border protection interception action or failure to act. This is a striking improvement on the high death rate under the Rudd and Gillard governments. Tony Abbott has kept his pre-election promise to stop the boats, but at what huge cost!
The immediate responsibility for this looming economic disaster rests with the Abbott Government, and not merely because of its use of a bullying speech in Parliament by the Treasurer, Joe Hockey, to goad Holden into announcing a decision that its masters in Detroit had probably already taken. In the longer term, this should be seen as a bipartisan disaster. What happened this week was the culmination of a process that began under Hawke.
No patriotic Australian wants to see Qantas go out of business. But the principles of both good business and social inclusion demand the government not thwart competition from Virgin and its cashed up foreign shareholders. In two decades, competition has lowered fares and made it possible for less privileged Australians to fly.
A minor diversion in the disruption of Australia's relations with Indonesia has been the entanglement of political commentators. Many have wriggled on the hook of their conviction that international relations are an ethics free zone in which the only guiding star is national self interest. But that does not stop them from launching a raft of ethical judgments. It is worth considering on what ethical principles international and national politics might rest.
There is a bizarre and remorseless logic to some of Joe Hockey's proposals, such as the absorption of Centrelink by Australia Post and making Medibank Private responsible for delivering the services of the National Disability Insurance Scheme. ACTU president Ged Kearney described the Centrelink proposal as 'moving into space-cadet territory'. She's right: the space cadets are flying the ship now.
The conflict in Syria has led to one of the worst humanitarian crises in the world today. And the need for a peaceful solution is great. I hope that Australia's successful aid program remains a priority for our Government. We must not ignore the needs of those lying at our gates simply because their communities do not hold trade or economic interests for us.
Monet, in a period of deep grief and loss, made what was in his career a rare decision: to paint other people. The artist forgot himself in contemplating the faces of his wife and his son, in depicting the faces of death and of incomprehension. We need icons like this — icons of incomprehension, reminders of the fragile self that, behind its virtual armour, is beset by doubt and demons.
On 1 January 2009, police in Oakland, California shot dead an unarmed African-American man, 22-year-old Oscar Grant. The event sparked riots, and renewed tensions around race and debates about police procedure. Underlying this politicised context is the story of a young father and former drug dealer who was trying, with mixed success, to turn his life around.
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