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Craftsmanship is a way of seeing and understanding mediated through touch and feel and the body. While the finished product or the stated goal are important, the process — as an act of learning, making mistakes, experiencing both frustration and satisfaction — is equally (if not more) important.
Government attitudes towards universities, the humanities and the arts, are often a strange mixture of ignorance, blindness and misplaced priorities. It is almost as if their graduates fail to match the image of what the government would prefer Australians to be.
There is a trend of liberals calling for the West to open its borders to fleeing Hongkongers for economic benefit. It is commendable that these individuals want the West to offer Hongkongers refuge. But to frame this philanthropy in such mercenary terms makes this goodwill suspect: these voices want to capitalise on a traumatic moment of displacement.
What then, does the case for full employment look like? This is not just an economic question, but too of having access to a decent wage that allows all people to live a decent life.
Donations flooded the centre. Volunteers from across Melbourne arrived ready to support any way they could. Key volunteers came from Carlton and surrounding suburbs, mostly young African people were on the frontlines. They had used social media to reach out to friends, relatives and others locked in the housing estates to ask what they needed and then got to work.
The significance of having a sanctuary has been heightened during the last months of living with the threat of COVID-19, which starkly highlights the experience of those Australians who do not have a sanctuary, who do not have a home to shelter in.
It turns out that the COVID-19 economic crisis is disproportionately affecting women — so much so that some have dubbed it a ‘pink-collar recession’. Unemployment figures show that since February, 457,517 women have lost their jobs compared to 380,737 men.
A commonly heard phrase, or rather media cliché, is that after the COVID-19 crisis ‘things will never be the same.’ It is an understandable sentiment, given the seemingly unprecedented nature of recent events. But how novel is what happened, and how much will actually change?
Public mask wearing — including ‘a piece of cloth, a scarf, bandana, t-shirt, or paper towel’ — was hot on the global public health agenda. One major demographic, however, had trouble fashioning this expert advice: men.
This Refugee Week, many asylum seekers and refugees are struggling to survive the COVID-19 pandemic. Some are trapped in immigration detention centres across the country in cramped and overcrowded conditions that make physical distancing impossible. Others are living in our community on temporary visas or no visas at all, struggling to make ends meet.
When a distinguished journal is caught unawares in its editorial judgment, others will cheer at the burning house. The academic business is a tough one, and at its core is an exaggerated virtue that often conceals core defects.
I am now more than ever re-thinking borders and my relationship to them. The word seema in Hindi means border or limit. I learnt this as I often ask the meaning of someone’s name when I meet them. It is a way to start a perhaps unlikely conversation and learn language simultaneously; a way of challenging personal borders.
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