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Our fickle politics shows that the majority of Australians are prepared to gloss over serious issues such as how to answer the life and death needs of the refugees whose lives have been disrupted by the wars we wage. Politicians are driven by opinion polls, and most corporate sponsors are inclined to follow their lead. That is why Saturday's 63rd Blake religious art prize may be the last.
What a dreadful year it has been for parliamentary democracy. Speaker Bronwyn Bishop has taken pride in the number of members she has ejected. Senator David Leyonhjelm has introduced his same sex marriage bill in an orderly fashion, but the decision will rest with the Abbott Government, which won't want to to hand the bouquet for breaking the logjam to Leyonhjelm. To get arrangements for the bearing and nurturing of children right, we need our parliament to be a more considered and dignified place than a battlefield.
Among this year's silly season news stories is the trivialising treatment of Greens Senator Larissa Waters' deadly serious call for parents to avoid buying Christmas toys that gender stereotype their children. 'Blue for boys, pink for girls' is a dogma that can do real harm to young people, and parents should focus instead on what makes their children genuinely happy. There is no room for judgment and coercion that seeks to make them someone they are not.
The three recently reunited sisters are immersed in whispered conversation, during the second day of mourning at the house. In the next room, older men in ceremonial garb chant a mourning ritual. Suddenly, the sisters get the giggles, only to be angrily shushed by one of the men in the next room. But grief can't be stage managed, and it seems only natural that the process should be guided by normal human interaction.
Physician assisted suicide and euthanasia are back, in the courts of Canada and the UK, and in the parliaments of the UK and Australia. The Australian Senate is considering the Greens' formulation of a broad and fuzzy law that goes further than UK proposals in that it would allow Dr Philip Nitschke to administer a fatal injection.
In 1996, US journalist Gary Webb claimed in the San Jose Mercury News that the CIA and US State Department had supported the smuggling of crack cocaine into the US, as a way to help fund Contra rebels against the revolutionary government of Nicaragua during the Reagan era. This 'dark alliance', Webb claimed, contributed significantly to the crack epidemic in Los Angeles, and fuelled the War on Drugs that Regan himself famously escalated.
I attempted to manage my mental health with good intentions, stern self-talk, guilt and cigarettes. Finally, exasperated and desperate, I started taking an anti-depressant medication, and when it actually worked, I was stunned to feel happy. But like any new relationship, the honeymoon period is brilliant... and temporary.
Perhaps the trickiest relationship to show on-screen is the one between siblings, and it’s not just about finding actors who look alike. What The Skeleton Twins tries to tell audiences about damaged people is solid but uninspired: don’t deny your heart, you have to deal with your past rather than bury it… But it’s the chemistry between the two that makes this something special.
Suicide excludes people from any participation in this decisive act of people's lives, and also prevents them from understanding it. Suicide is always shrouded in silence, and arouses dread at entering the silence. The wrenching cry at the heart of of memories wrestles with the silence, 'Why did you do it?'.
As a former primary teacher, I have seen the importance of literacy programs for our young people, and the joy and power that comes from learning to read, especially for older students who thought they would never get to read. If schools were given adequate support, resourcing, staffing and training to better cater for the needs and interests of Indigenous students and families, there would hardly be any need to mark Indigenous Literacy Day.
Some years ago my then next-door neighbour attempted suicide. Had it not been for the fortuitous arrival of his teenage son, and the heroic actions of another neighbour, the incident would have had a tragic outcome. For an individual to die alone at home amid the crowd of suburbia is one of the sadder, and sadly common, scenarios of modern Western existence. Italian-born British filmmaker Pasolini explores this phenomenon in Still Life.
Ben and Tas Pappas, from Melbourne’s working-class north, take the skating world by storm in the 1990s. This film doesn’t skimp on the drugs-and-sex-addled reality in which they found themselves, fuelled by massive sponsorship dollars and the anarchic skating culture. But this is not the film's greatest tragedy.
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