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Social media, while a blessing, has also become a curse for survivors in Pakistan. The platforms are widely used by survivors to share their stories of sexual harassment, molestation or rape. It also gives users a chance to comment and provide leeway for the perpetrator.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
It’s tempting at this point to blame 2020 for the almost comically bad situation we are facing right. But here’s the thing: this isn’t bad luck or even some kind of testament to the power of numerology. This dire situation was entirely predictable and even, sadly, entirely preventable. We walked right into it — or, at least, we allowed ourselves to be led here.
For many people, illness has a narrative: a clear beginning, middle and end. If we’re lucky, the ending is actually a fresh start where the illness is gone and our hero is returned to normal life, changed but stronger because of their ordeals. In the lives of those with chronic illness, however, those lines are blurred; our descent into illness may have been gradual and there might be no end in sight.
A recent report from Jesuit Social Services’ Support after Suicide program reflects on the experience of people who have accompanied a friend or family member before, through and after their suicide. At the heart of the report is its insistence on the importance of the human face in health care.
I have been going back to street photographs I took before coronavirus struck. Hundreds of images taken in London, Liverpool, Bangor, Abuja, Canterbury, Mararaba, Birmingham, Erith, and many other places. With each photograph comes an inevitable urge to reminisce.
Throughout the summer I risked smoke, storms and sickness to escape into the embrace of the sea, until, one day after that final swim, places of worship were effectively closed, along with beaches, pools, and national parks across NSW.
With all its good intentions and charming participants, Love on the Spectrum is for the neurotypical eye. Just like The Undateables, a similar show from the UK, it takes the inner machinations of disabled lives and creates entertainment for non-disabled viewers. Autistic representation on television is rare, which makes it all the more alienating when these few depictions exist purely for everyone else’s warm-n-fuzzies.
Our neighbor Sam is in his mid-seventies. He takes things quietly, enjoys a chat where our two gardens converge at a corner of the lambing paddock that unfolds beyond our shared wire fence and, regularly in summer, Sam is partial to a few cooling drinks.
For the Life of the World is recent document prepared by Orthodox clerical and lay scholars and ratified by the Ecumenical Patriarch of Constantinople that challenges perceptions. Based strongly in the faith of the church and addressed primarily to members of the Orthodox churches, it is confident and independent in its voice and radical in many of its conclusions.
Too often in academic settings Black and Brown children are dismissed when reporting their experiences, and the incidents are often downplayed. They are told that the student who had done or said the racist thing ‘didn’t really mean it’. These students are given the benefit of doubt in ways that Black and Brown children often are not.
Craftsmanship is a way of seeing and understanding mediated through touch and feel and the body. While the finished product or the stated goal are important, the process — as an act of learning, making mistakes, experiencing both frustration and satisfaction — is equally (if not more) important.
169-180 out of 200 results.