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Many defenders of globalisation express frustration at the rise of Trump and what they see as an ignorant and self-defeating backlash against its virtues. But they have no answer to the most pressing question: Is the global system there to serve people, or are people there to serve the global system? They also never address a central contradiction of globalisation: that capital is free to move, but for the most part people are not, unless they belong to the elite ranks.
The shape Trump's presidency is beginning to be discernible. The likely deepening of inequality, the disregard for universal human rights and for the international and national responsibilities that flow from them, the contempt for the environment and for evidence based research, and the debasement of political speech promise a more divided society in a more divided world. In such a noisy and staccato atmosphere the beginnings of an appropriate response lie in not responding to every tweet.
Writing in the New York Times, renowned Mexican historian Enrique Krauze splendidly summed up the US conduct toward his country. 'For Mexico, the United States has been a difficult neighbour, sometimes violent, almost always arrogant, almost never respectful, rarely cooperative,' Krauze wrote. Donald Trump is the embodiment of all these. Trump has taken the US disrespect towards its Spanish-speaking neighbour to a level even Mexicans - a resigned bunch - won't put up with any longer.
For many years I felt that by changing the date we might come to a more inclusive national celebration. However the past few years of Indigenous activism have left me cynical. The things we were fighting for decades ago are very similar to the things we're still fighting for. Australia has not acknowledged and rectified its history; rather it seems content to reinforce its amnesia. It's therefore unlikely I will be able to stop protesting this celebration, regardless of the day it's held upon.
I will always remember the first time I saw Giacommeti's statues in in Europe. They were grotesquely thin, elongated people. Giacometti explained how he tried to make people with more flesh, but after World War II and the six million, it was impossible. And so those statues reflect the time he lived in. Queensland's Gallery of Modern Art, on the other hand, is celebrating its tenth anniversary, and has chosen fairy floss and rainbow fuzz to reflect our current society.
This week's offering from Eureka Street's award winning political cartoonist.
'No matter what the economic, political and legal problems confronted by modern day India, our response can be improved by an application of the key principles and norms developed in the international law of trade and human rights, helping to enunciate the realm of law, regulation and political accountability, enhancing public scrutiny providing the right environment for doing business.' Frank Brennan presents the 25th JRD Tata Oration, Xavier School of Management, Jamshedpur, India, 26 November 2016.
The US election, to no one's regret, is now over. It remains to wish Donald Trump well as he prepares to take up the office of president. It is tempting to see Hillary Clinton as Humpty Dumpty and ask how she can pick up the pieces of her life, when tarnished and wearied by a campaign so full of personal abuse, revelations of tawdry behaviour and a lack of grace. Yet it is not Clinton that lies broken at the foot of the wall. It is the polity of the US, shown to be bereft of the trust necessary for national wellbeing.
Social theorist Pierre Bourdieu posited the disturbing finding that academic underperformance in lower-class students could be traced back to their lack of cultural capital, defined as 'familiarity with the dominant culture in a society, and especially the ability to understand and use 'educated' language''. According to Bourdieu, the mainstream education system assumes a certain level of cultural capital and as a result, educators speak in a manner that is only understood by a privileged few.
When I was a kid, I certainly knew, that a cassowary in Tinbuctoo, was able to eat a missionary, cassock, bands and hymn-book, too. Because it rhymed, it had to be true. But what on earth were those bands doing? Nothing musical, I'll be bound, And a cassock, what sort of jigger was that?
Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.
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