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In all the rush, the crib’s still housed / from last year in the cupboard . . . I wonder / if in all our frantic preparations – beneath the toys, the tinsel, fairy lights / and all the other trinkets, decorations – there’s still within our hearts / and in our whole wide world, in all we plan and do, / even just a minute’s time for you?
Parks are gifts, not only of nature but of people who have recognised how important they are for good human living and have guarded them. Recent generations have been less generous in providing parks and in protecting them from encroachment. At a time when the survival of the earth as we know it depends on our treasuring the beauty and delicacy of the natural world, such neglect is disrespectful.
This year I discovered Yellowstone, and my all-too-easy-breezy dismissal of the series has changed to respect and continuing interest because it has made me think about humanity and the world. It made me reflect on being human, and what (despite and often because of our best aims and intentions) we might have to do in the world to survive.
Nancy Pelosi recently announced her retirement as leader of the Democratic Party in the House of Representatives, proclaiming that she was a wife, a mother, a grandmother, and a devout Catholic. Yet citing her support for pro-choice on abortion, the archbishop of her home archdiocese of San Francisco has forbidden her access to Holy Communion. So, the question remains: what sort of moral reasoning could Mrs Pelosi invoke to support her pro-choice stance?
so across this bridge of days / lurks a hollowed-out light / picking over the shattered glass of streets / a day when sun / apportions out / this impartial / where the cut & paste / the haste / of swallows is knitting up / all the available light.
Wendy Beckett and Orbis Books publisher Robert Ellsberg exchanged letters on a near daily basis during the last three years of Sister Wendy’s life. What began as a correspondence on saints evolved into a joyful and intimate exchange about the nature of love, suffering and the need for daily grace.
We have a lot of work to do if there is to be any prospect of a successful referendum on the Voice to Parliament, which Indigenous people have put to us as the mode by which they want to be recognised in the Constitution. They have said they want a Voice. Now, we can debate whether it be a Voice to Parliament or a Voice to Parliament and government, or a Voice just about particular laws.
Sometimes it pays to sit still in a central business district, the aorta of any city, and nod in recognition to life as it passes you by. Bypassed from the stream, you watch and learn as the passers-by flow around you. Mystery and revelation. Connection and dissing. Peace and discord. Meaning, transcendence and futile, random pain. It’s all there if you look close enough. Pause long enough to witness the mysteries.
In August 1660, the English Parliament passed the Indemnity and Oblivion Act, targeting those involved in the trial and execution of Charles I. The death warrant for Charles I had been signed by 59 judges, and 31 of them were still alive in 1660. Those caught suffered a terrible death of being hanged, drawn and quartered. Pursuit of the guilty was unremitting. Act of Oblivion follows the careers of three regicides and Civil War veterans who fled to the British colonies in America.
This year's International Day for the Elimination of Violence against Women is particularly significant because it follows shortly after the release of the National Plan to End Violence against Women and Children, a ten year project to eliminate violence against women in a generation. Of course, large initial hopes may be disappointed, but the implementation of plans is always the most difficult challenge.
An intense and often ugly battle over marine resources has been unfolding between State authorities and Aboriginal people along the NSW coast. At the heart of the conflict is the NSW government’s refusal to acknowledge the right to cultural fishing by Aboriginal people, unlike other states and the federal Native Title Act (1993).
Paulie had a childlike delight in taking the mickey out of everything and everyone and acting outrageously. The stories of the Painters and Dockers’ engagement with their equally wild audiences and the public, full of hilarious encounters, display the same innocence and the same sublimated rage. If it was his brother Tony’s death that set him on his madcap journey, Paulie has shaped his own life as a monument for Tony more durable than marble.
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