Keywords: Husband
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RELIGION
- Gillian Bouras
- 04 July 2017
6 Comments
When I was a small child, Presbyterians ministers, including my great-uncle Jack, seemed to be everywhere. They march through memory: soberly suited, dog-collared, determinedly cheerful and often dull, although Old Jack preached a fiery sermon, and could well have taken to the stage instead of the pulpit. They were eventually replaced in my life by a procession of Greek Orthodox priests. They would extend their hands to be kissed in a gesture my nonconformist soul found quite shocking.
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RELIGION
- Frank Brennan
- 03 July 2017
There is no point in proceeding with a referendum on a question which fails to win the approval of you, the First Australians. Neither is there any point in proceeding with a referendum which is unlikely to win the approval of the overwhelming majority of the voting public, regardless of when they or their ancestors first arrived in Australia. Given that you Indigenous Australians have spoken strongly through your representatives at Uluru in support of a First Nations Voice, it is now for the Referendum Council to recommend to government a timetable for constitutional change with maximum prospects of a 'Yes' vote.
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ARTS AND CULTURE
- Tim Kroenert
- 21 June 2017
2 Comments
Catherine arrives a new bride, with husband Alexander, to take up residence in his luxurious rural home. Quickly we get a sense of how little control she has over her destiny. Alexander demands she remain inside the house at all times; when one evening she wishes to go to bed early, her father-in-law orders her to remain awake for her husband. In the life of the household, she is merely an attractive object. Yet like her Shakespearean forebear, she is not averse to manipulation and violence in pursuit of her goals.
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ARTS AND CULTURE
- Catherine Marshall
- 15 June 2017
11 Comments
It was humiliating, being refused adoption at an animal shelter. But it was worse knowing, in the ensuing months, that there was a little dog out there, and lots more besides him, who was being withheld from a genuinely loving family simply because they had failed to meet unreasonable demands. We tried to find a suitable dog at other shelters, but the pickings were slim. And so we did the very thing the shelter that had refused our application railed against: we bought a puppy from a pet shop.
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ARTS AND CULTURE
- Tim Kroenert
- 14 June 2017
1 Comment
Running parallel to this is Houston's intimate, long-time friendship with Robyn Crawford. Broomfield stops short of characterising it as romantic; others do not, and space is given to rumination about the difficulties of being a black, gay woman. In any case, the friendship sparks tension with Brown, and disapproval from Cissy. Crawford's abrupt departure from the tour is another turning point. In Broomfield's thesis, Houston's drug habit is a reaction to these various threats to her authenticity.
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AUSTRALIA
- Barry Gittins
- 25 May 2017
7 Comments
Australian kids are being bashed, raped, starved, scorned and otherwise treated with no dignity or kindness. The study states it is not simply a case of one-off abuse, noting that 'research has demonstrated that maltreatment sub-types seldom occur in isolation (e.g. sexual abuse is often accompanied by psychological maltreatment or physical abuse)'. That is difficult reading. It makes me sick to write it. But the paper should, in a just society, serve as a catalyst for a national conversation.
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AUSTRALIA
On 15 May, Palestinians and our allies all over the world commemorate the Nakba. In Arabic, Nakba means 'catastrophe', and it refers to the violent displacement of Palestinians that began in 1948. Growing up in Palestine, I know that while the Nakba started in 1948, Palestinians have been living under a continuous Nakba since then: the Nakba didn't end, it's ongoing. For me, the Nakba is when a foreign regime determines my and my family's movements on a land we lived on for generations.
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ARTS AND CULTURE
Who was that luckless politician, federal, I think, gone now from so many memories, including mine? Male, a sort of suited fledgling, older maybe than he looked, the guy who feelingly achieved, while reaching for the aphoristic wisdom of his people, the verbal train-wreck we remember so much better than than the 'issue' or his features as they pleaded with the swooping of a lens: I'm torn between two places and a hard rock?
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INTERNATIONAL
- Catherine Marshall
- 29 March 2017
6 Comments
In the past two weeks I've met a man who crossed the Andes on foot, horse, bicycle, car and even rollerblades. I've trekked with a mountain guide to a rocky outcrop upon which he was due to marry his fiancé the following weekend, before abseiling down it with her. I've stood in a forest with a woman who came here in the hope of finding the perfect plot of land. Landscapes have a profound effect on the traveller, but it's their inhabitants who evoke for us the soul of a place far more effectively.
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AUSTRALIA
Last week, an interview by the BBC with a scholarly expert on Korea was interrupted by the scholar's young family. What fascinated me most was the assumption in certain commentaries that the woman in the video was the nanny. Or, even when that was resoundingly countered, that there would be trouble for her when the interview was over. Because she is Asian, and her husband is white. And we all know what that means, right? Whether she's the nanny or the wife, she must be oppressed.
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ARTS AND CULTURE
- Tim Kroenert
- 15 March 2017
1 Comment
The power of Jones' film comes from bringing us the faces and voices of the victims in the present day; to hear in their words and see in their manner the ongoing trauma of those experiences. It is a timely and illuminating exploration of the impacts of child abuse, arriving during a period when many of our Australian institutions, religious and otherwise, have been facing the probing spotlight of a royal commission for behaviour that was at times equally as secretive, and traumatic.
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ARTS AND CULTURE
- Tim Kroenert
- 14 February 2017
1 Comment
There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.
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