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There's a running gag that in Hollywood there are few roles for women over a certain age, unless you are Meryl Streep. Of course it isn't really a joke, if you consider the consistently dire statistics regarding gender, age and race diversity in mainstream American films. Whatever you make of this deplorable inequality, there can be little doubt that Streep is an actor singularly dedicated to her craft, who works hard and throws herself with aplomb into the wide range of roles that come her way.
The media has greeted the infidelity website leak with unabashed glee. We could instead ask why so many ordinary people are seemingly so discontented with their marriages, and what might be done to alleviate the wretchedness both of those who cheat and those who don't.
Because football and other large sports are an image of life, they are safe spaces in which loss is never final and youth is never lost. But occasionally, as in the death of Philip Hughes and Phil Walsh, real life breaks into the image. Death and horror have to be grappled with.
British student Hanna Yusuf declared her hijab to be not an instrument of oppression but rather a feminist statement: 'In a world where a woman’s value is often reduced to her sexual allure, what could be more empowering than rejecting that notion?' But reducing a woman to her sexual allure is precisely what the hijab does.
There are early signs of the substance abuse that would later see her become a target of gleeful media scorn, and ultimately cause her death at the age of 27. But during one interview from the dawn of her career she reflects that if she was famous, she would go mad. She was painfully aware of the gap between the persona painted by a spiteful media and fickle public, and the preternaturally talented working-class girl from London who just wanted to sing.
What can you do? There's comfort arising from an internal acknowledgement of the fact that, however painful it might be, there are some things beyond our control. But certain role models in our community - including anti domestic violence campaigner Rosie Batty - have demonstrated through their actions that it is possible to move beyond a seemingly all pervasive sense of resignation.
Not only are we working mothers providing a leg up for our daughters, helping shape a new, improved, domestic male, and paving the way for stronger, adaptable, more spiritually-attuned human beings, but perhaps we're also part of a new thinking that's redefining and reassessing what success will look like in the future. Having a mother who not only goes to work, but works from home, I hope my sons grow into men who will have insightful and supportive relationships with the women in their lives.
A man sets in motion an elaborate scheme to get back at everyone who has ever done him wrong. This maniacal anthology of short cinematic stories earned an Oscar nomination this year along with a bundle of other accolades in its native Argentina and beyond. The darkly comic 'Little Bomb' shows a man's life and mind unravel as he rages against the perceived injustice of a parking infringement penalty.
Mrs Cowling was formidable. Her significant physical presence was accentuated by a commanding mien, impeccable English enunciation, and an impressive depth and breadth of literary reference supporting rock-firm opinions. All these years later, I wonder just how burdened she was in teaching literature to Australian students, which she continued to do into her 80th year, by her husband's notoriety.
Judgmental attitudes towards women who are victims of male violence are never far from the surface. A crass example occurred recently when a priest suggested to his congregation that if rape-murder victim Jill Meagher had been more ‘faith-filled’ she would have been home instead of out late on the night when she was raped and murdered. There is greater public moral outrage when acts of violence are committed against women considered 'virtuous' than others such as sex industry workers.
The theme song from Selma references Rosa Parks and Ferguson in the same breath. Indeed this is a powerful period drama that resonates loudly in a modern age where the injustice against which Martin Luther King raged continues to haunt Black America. Oyelowo's King is charismatic and proud, but plagued by doubts and capable of great sadness when even one of his followers falls in the midst of the struggle.
The brilliant linguistics professor Alice Howland and her biologist husband, John, sit down to break the news to their adult children: Alice has early-onset Alzheimers. At first Alice maintains a fragile, trembling stoicism. But when she tells them the disease may be passed on genetically, the façade slowly implodes. 'I'm sorry,' she weeps, horrified by the prospect of what she clearly sees as a betrayal.
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