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ARTS AND CULTURE

In praise of Cricketmas

  • 23 September 2008

Baxter — a boys' own tale in five voices

I. Satan I've been asked, and I'm building up to it slowly. The fall. When I'd been cast down, I wondered just where on earth or in the heavens this weird place, made to keep me, was. Beside me stood such strange companions, each too quick to anger — too quick, too, to tears. I asked, what bonds are these? Is this an adventurer's reward? To stoop as one in the huddle of the homeless, shivering with rage, beyond even hope of revenge? I guess it always was. God's people have only ever known the way of hard power. Against art, against play, against the song of a siren dollar and a dollar siren. Anyway: have faith, my friend! II. Aeneas Multas dat mare lacrimas[1], ancestors said in their day, breaking free of the humdrum waves that brought only ageless cares to those nearer shores. Now we are so much further afield. Our olives, too, would weep their oily tears if they could see this land. Dat mare. The sorrows of sea-travelling have made so many a landfall here. Positively queer. An ocean of cares and a wealth of hurts, all from that first look of disdain: you're welcome anywhere but here, for this is The Unwelcome House. And, yes, multas lacrimas. The wise see the sorrow everywhere among us, even in Philip Ruddock's sneer.

III. Siddhartha This permits the chop and change: each chapter is a new life; each life is thus many lives; in each moment, therefore, I stand for each moment of each moment of each life, and of each life. In this, we know, a certain wisdom lies. (Do not be, ever, every; be always and forever each.) We wake to each, not every, sorrow. Waking's what we teach through our endless exemplary emptied days, while nights are but each effort to escape from every dream. You know, like the river, everything returns, but each is as the wave, the wave on which we came. IV. In the cricket Peter Taylor, selected straight from Petersham firsts to bowl his offies for the baggy green, taught us how the 'Strayan dream can fizz and spit through Sydney's fond atmosphere. It's so old school: the delivery of danger is shrouded in languor. Those days at the beach, watching surfers riding in, were a prelude to his mission, a certain Taylorisation of swooping and swaying in praise of the sun-gods: Cricketmas! Did you wonder how we came, though? How our boats made their ways through rushing waves and seagulls to this, these peaceful grounds of whited play? Well, we had to face each one on its merits, take things one day at a time. It was very much a case of playing the percentages, but you know, I guess, in the end,