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ARTS AND CULTURE

The beauty of hard-won hope

  • 07 August 2014

Begin Again (M). Director: John Carney. Starring: Keira Knightley, Mark Ruffalo, Adam Levine, James Corden, Catherine Keener. 101 minutes.

Not too long ago I read this on a favourite blog of mine: ‘Today it starts all over again.’ Cheesy, perhaps, but potentially powerful as a reframing tool for someone who feels defeated by life. Rough-looking has-been Dan (Mark Ruffalo) has all the hallmarks of defeat down to the alcoholism and disregard for basic decorum. Ditched by the successful record company he founded with a friend, a stranger to his teenage daughter and separated from his wife of 18 years, he is a mess – and the mess keeps compounding as he jumps at the next opportunity for self-sabotage.

At heart, Dan is a brilliant musical mind starving for inspiration; not just the inspiration to create but also to simply get through a day sober. In a heart-to-heart with freshly devastated singer songwriter Gretta (Keira Knightley) he tells her the “pearls” are getting further and further apart on the ‘string’ of his life. 

Supportive Gretta and her singer boyfriend Dave arrived starry-eyed in New York a few months prior. They were greeted lavishly by the adoring record company who have just signed Dave. Things get rocky when the success goes to his head and their relationship becomes collateral damage. Maroon 5 front-man Adam Levine does a great job in this role, making Dave exceptionally dislikeable as he callously breaks Gretta’s heart in cruel, if not clichéd, fashion. In contrast, Knightley is eminently pleasant and relatable, allowing us to identify with her despair and the inevitability of hope in her story.

Broken and bruised by their respective journeys, Gretta and Dan seize the chance for solidarity. A friendship forms naturally through the film’s catalyst – a creative music project which sees Dan producing Gretta’s songs by recording them in unorthodox environments. For both, their sense of compassion and resilience allows them to navigate a cold and indifferent city that threatens to swallow them whole. They use the creation of music as a mirror to reflect back a version of themselves – and NYC – that they can love. The process and the product are both lovely to behold.

Begin Again is about focusing on the possibilities for the future even while the whitewash of the last storm is still receding around one’s ankles. We watch each character’s downfall and subsequent rescue through the mutual recognition of each