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Over the past few weeks we’ve seen the government pull out all the stops in an attempt to convince the Australian public to download the COVIDSafe App. There are plenty of issues with the app itself, including its technical flaws, and valid concerns around data privacy, security and the normalisation of surveillance. But the other fascinating aspect of COVIDSafe has been the commentary surrounding the app.
Possibly the thing I have missed the most is Melbourne's live music scene. The removal of being able to go to a venue and admire the sheer volume of talent this city produces — not to mention the talent we also get in from other states and territories — has hit me hard.
At the brink of dawn swelling with the cries of the pinkest of pink galahs, the sweltering Tennant Creek, thirsty with soul, stranded in the heart of the heart of the country.
This huge, rarely mentioned and ongoing deeply shameful situation regarding the health and housing of First Nations people comes into unbearably sharp relief by the present crisis.
We know that prisons are pressure cooker environments at the best of times. We can’t let them also become sites of mass infection, with potentially grave consequences, during the current COVID-19 health crisis.
While there have been endless social media posts, political campaigns and the like about staying safe by staying at home, I have been concerned about the many people who are not safe at home and what this may mean to them. What will this mean for the woman who’s been living with a domestic violence perpetrator for years?
Pride is politically messy. When you stir together an alphabet soup of people, all of which have other intersecting identities (race, class, religion, political allegiance), you will invariably plate up a political mess. And the 2020 Sydney Mardi Gras dished quite the menu.
Disabled people, and those that love them, have told the latest hearing of the Disability Royal Commission about their experiences in the health system. Neglect, abuse, violence all featured, with medical people and systems often talked about, not as caring health professionals, but as callous and cruel.
Was I a settler? What did it mean to be a settler? I began asking my non-Indigenous friends around me what their thoughts were on the matter: did they identify as settlers? Some reacted with intrigue and were open to discussing it with me, and others reacted with strong distaste. ‘No’, they would say, ‘I just don’t like the word — it doesn’t describe who I am’.
Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
Pope Francis’ 'Querida Amazonia' (Beloved Amazonia) has been warmly received by many members of the Aboriginal and Torres Strait Islander Catholic community. The tone of the exhortation is reflective of the position that underpins our vision for the Church in Australia — a Church that is open to the gifts of First Nations Catholics, honest to the past and embracing of a new way of thinking that utilizes the principle of subsidiarity.
Despite claims to the contrary, the decision in Love and Thoms affirms the standing of the common law, including the unassailable power of the Australian State to make and enforce law. It upholds the centuries-long common law principle of accommodation of Indigenous laws in a colonial context.
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