Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
The opacity of the Australian public service, and its disposition to secrecy, has left journalists in a bind. Leaks constitute the oxygen of the secret state, but publishing that material remains a dangerous affair.
Who knew that the greatest moral debate of our time would be whether or not to wear a mask? Having sewed my first mask many weeks ago, I’ve been following the millions of words written and spoken on the efficacy of masks, whether to wear them, who should wear them, how to use them, and how to make them. In a genre that is already bending my brain, there is a special sub-category of mask-shaming.
In these troubled times of COVID-19, most news bulletins concentrate on the daunting figures from Italy, Spain, Britain and the USA. Little countries don’t get much of a mention. Greece is a little country.
I don't want to sound too ungrateful, because there isn't a playbook for this scenario, but if all it took to build a passable digital schooling ecosystem was a week of hard work, we'd have done it long ago. We haven't been asked to turn on a dime, we've been asked to pirouette.
In Christian churches the celebration of Easter this year will look more like Lent or Passion week. All Australians, too, will be without football, concerts, interstate and international travel and family gatherings. The atmosphere, too, will be one of constraint, not freedom. Instead of celebrating the present, we may be weighed down by fear and anxiety about the future. We are all captive to COVID-19.
Even during this period of disruption (and, indeed, even because of it) it is so important that we pay attention to the bigger picture. So much of what we do now will lay the groundwork for the kind of future that we are able to build at end of this crisis.
We know that prisons are pressure cooker environments at the best of times. We can’t let them also become sites of mass infection, with potentially grave consequences, during the current COVID-19 health crisis.
The COVID-19 pandemic came swiftly and without any warning to turn our lives upside down. But while many of us are living the routine of our lives very differently now, people who are homeless or those at risk of homelessness are experiencing this pandemic in an acutely difficult way.
For millions of Australians of varying degrees of religiosity, prayer will play a key role in dealing with the novel stresses associated with this novel virus. Religions bring us not just closer to our creator but also to each other, especially in times of crisis. And you don’t have to be devout to feel the blessing.
After almost 14 years under an Israel imposed economic blockade, as well as coming under bombing, most recently on the 27th of March, Gaza is struggling. Medical and food supplies are rundown, many houses are in ruins, power is intermittent, and there are water quality and sanitation issues.
The ability to work from home or social distance is a class issue. How do you practice social distancing in the slums of Lagos, the favelas of Rio or the shanty towns of Bogota, the city where I was born? Here in Australia, it’s not much different for refugees, people seeking asylum and migrants in vulnerable situations.
Illness, so apparently explicit and ever more obvious as it progresses, in fact defies definition: submitting apparently to scientific and medical description, it escapes into a quality of pain, exquisite loss or appalled helplessness that is often most clearly captured at the heart of great works of art.
181-192 out of 200 results.