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Few Australians of Irish descent will now be familiar with this history and the experience that accompanied it. They would see themselves as simply Australian. But the emphasis on social justice, the recognition of the value of community, and the concern for people who are marginal that are communicated through Catholic schools and the sympathy with the underdog owe much to the Irish heritage.
Headlines in print (newspapers and magazines) have some heavy lifting to do. They need to convey the essence of the story in as few words as possible, be enticing and hopefully be funny, clever or both. In traditional news terms, you should know what the story says from the heading, intro and first paragraph. However, the funny thing about being funny (especially with word play) is you’re assuming your audience knows the same things you do.
Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
Journalist and author Elle Hardy spent 15 months researching and writing her 2021 work Beyond Belief: How Pentecostal Christianity is Taking Over the World. She notes the estimation that by 2050, one billion people around the world (one in 10 humans) will be a Pentecostal follower of Jesus (and their pastor).
It is often said that it takes a village to raise a child. It also takes interested and supportive people to encourage athletic talent. A recent documentary on the world's most successful male distance runner Sir Mo Farah raises questions around how host countries know about waste of talent and opportunity when they routinely deport asylum seekers or lock them up?
To many who work in the arts industry, the rise of art-making artificial intelligence may pose an eventual threat to their livelihoods. Will independent artists be replaced by corporations using AI to generate mass entertainment?
It is easy to view homelessness from a distance as only a failure of economic policy and of the political responsibility to deliver material goods. A home, however, is more than a house. It connotes connections that are central to humanity. Left without a home people are deprived of more than bricks and mortar; they are diminished in their humanity.
As the boat pulls away, a figure is left standing alone on the rocky beach beneath a thick wall of fir trees. The person stares out after the boat relishing the last morsel of human contact they will have for an indefinite time.
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