Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
It's as though it's suddenly turned winter, the way the earth is covered over and the grey stretch of ash is drawn up to its chin like a blanket. And though it's day, the bird-less quiet is a kind of night, and everything we ever thought we knew has been turned upside down, the first now last, and the last first.
It rose in its tall verticals from the grace and welcome of the earth, / That swooned far, far below, / As canny masons hefted the limestone / Into vast beatitudes of grace; / Shipwrights inverted their minds to groom the oak, / So that it would soar, / As if a celtic monk had charmed a serpent into a holy phrase.
You don't know the word for butter, so you spend seconds miming the way it froths in the pan. The owner of the shop says nothing. You want to buy their famous pesto, but it's nowhere on display. You speak to other customers, who nod and frown. Eventually you point at fragrant cheese and a melon that smells of ripest green.
After spirit-lamps were doused the house drew in upon itself; its clutch of dreamers moaned and tossed in stifling mosquito nets — each isolating sac of mesh a Magellanic cloud.
Obituarists sharpened their quills in 2014 when word had it the death of Clive James was imminent. Since then we have witnessed a late flowering of poetry, reviews and articles tinged with mortality that revealed to the last his Twainian flair for journalistic self-promotion, albeit in the internet age. Now the quills are out in earnest.
I dreamed Thoreau told me that whenever I was lost, if only I'd remember that it was not I but simply those familiar places of the world that were lost then I would realise at last the trick of standing upright here ... Everywhere, departure opens wide its gates into the nothing that awaits us in the dusk
Staring toward the stringy picture through a linguistic lens I have begun to see that the elderly magic, deplored by most religions, was a daughter of coincidence mathematically robed in some downright glorious colours.
It's difficult to move in this landscape. Haunted and fragile and tragic, there's no place that is benign. A cursed house, the Greeks might say.
Thank God for Bollywood and daytime TV. For the all night partyers and marathon love makers. For the hash brownie bakers, the nut crackers and pot-stirrers ... the drum-beating banjo-twanging wannabe musicians ... the incense wafting up from the first floor through our bathroom vent — frankincense I'm tempted to think.
This is yer suit and yer tie. This is yer glimpse of the sky. This is yer walk in the rain. This is yer dash for the train. This is yer train to the city. This is yer town without pity.
I love reading about the lives of the poets. The ones for whom nothing good ever happened. The ones who were sure that if they did not write, they would surely disappear. The ones who tried to make the invisible visible, and failed; who carried news to this world from another one, as if it were bottles of wine and loaves of bread.
I'm a white man in a white man's world, his mother tongue the lingua franca everywhere. I may not be rich, but I am more or less free, and my calling has let me travel the world. It's easy for me, not having had to fight for mine, to ask us to go deeper than identity when we write. But when James Baldwin says the same thing, it compels.
121-132 out of 200 results.