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To an outsider jazz might seem a mysterious, prowling place because it defies simple definition. This is a journal for slow reading, recommend to those who are not jazz devotees and do not prowl ... yet.
It can be hard to spot the villain in a Coen Brothers movie. The ill-fated scheme at the heart of their latest comedy is instigated by Linda, an endearingly goofy gym employee who longs to be able to afford cosmetic surgery.
Imagine the horror of a completely silent world. The deaf person requires strategies: they must make requests, or provide tactful reminders. Lip-reading is a useful skill, but beards and moustaches can provide difficulty.
As a reader, it's satisfying to reach that moment when you realise you don't have to finish the book you've been ploughing through. A book's unfinishability reflects less on the reader than on the writer. Even great writers flop sometimes.
One of the teenage mums writes poetry. The Goths are into dragons and wizards. A girl in a wheelchair says, 'Melanie. A novel.' A tattooed youth drawls, 'Sean. Dirty realism.' Reading work aloud is voluntary but most are keen.
The Unsual Life of Tristan Smith is an engaging if uncomfortable tale. But a closer reading reveals author Peter Carey as social critic. While themes of colonialism, migration, and identity are explicit, disability enters more subtly.
On an anniversary of September 11, President Bush attended a church service that included the Beatitudes as one of the readings. If the preacher had continued on a few verses, he would have been telling the President and people to love their enemies and do good to those that hate them.
Ugly. Rapacious. Bruising and governed by the narrowest definitions of national interest. These are a few of the descriptions that spring to mind after reading this devastating portrait of Australia’s negotiations over oil and gas resources in the Timor Sea.
Tony Malkovic investigates an Australian Christian broadcasting service into the Asia-Pacific
Rev Dr Richard Leonard SJ is the director of the Australian Catholic Film Office and author of Movies That Matter: Reading Film Through The Lens of Faith.
Meg McNena is a parent, poet and physiotherapist, and her poetry litters journals and Melbourne readings. Three of her plays have been performed, including Yellowing with Women Working in Theatre.
thoughts crawl in to a packing case nailed up a tree ... nothing happens in between the years broken up ... the password hidden within you, never coming down
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