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Sometimes it pays to sit still in a central business district, the aorta of any city, and nod in recognition to life as it passes you by. Bypassed from the stream, you watch and learn as the passers-by flow around you. Mystery and revelation. Connection and dissing. Peace and discord. Meaning, transcendence and futile, random pain. It’s all there if you look close enough. Pause long enough to witness the mysteries.
Does it matter that the Midsomer episode that has me so exercised didn’t mention attempted rape? After all, the guy was charged with murder — perhaps a more serious charge? And it is only a TV program for heaven’s sake. But even though occurring on a TV program, to not call out attempted rape is to trivialise it.
In August 1660, the English Parliament passed the Indemnity and Oblivion Act, targeting those involved in the trial and execution of Charles I. The death warrant for Charles I had been signed by 59 judges, and 31 of them were still alive in 1660. Those caught suffered a terrible death of being hanged, drawn and quartered. Pursuit of the guilty was unremitting. Act of Oblivion follows the careers of three regicides and Civil War veterans who fled to the British colonies in America.
Paulie had a childlike delight in taking the mickey out of everything and everyone and acting outrageously. The stories of the Painters and Dockers’ engagement with their equally wild audiences and the public, full of hilarious encounters, display the same innocence and the same sublimated rage. If it was his brother Tony’s death that set him on his madcap journey, Paulie has shaped his own life as a monument for Tony more durable than marble.
Along the tree lined rural highway / past paddocks where canola gleams / so cars stop for golden photographs / past paddocks where sheep graze / then clumps of darker remnant eucalypts / distant hills wear dancing patches of colour.
In Justice in Kelly Country, author Lachlan Strahan writes on the life of his great-great-grandfather, a policeman whose career stretched over thirty years. When a significant part of that story is intermeshed with such a fiercely contested story as Ned Kelly’s, telling it introduces the further complexities of the writer’s sympathies and judgments.
When people gather on Remembrance Day, commemorating the cease-fire at the end of the First World War, people take great pains to remember; a small acknowledgement of the horror of war, its loss, sacrifice and suffering. And in that time, it’s also worth pausing to reflect on those for whom wartime sacrifices and suffering are a daily reality. What do these people wish to remember?
Reflecting on the value of newspaper commentary on public life prompts self-reflection concerning the quality of what we columnists write and what we hope to achieve through our work. The ephemeral quality of a column suggests how important it is for us not simply to react to the news but to ask what lies beneath it.
There are a great many despairing people about, with parents of children fearing they have no future; believing that by the time they are grown up the world as we know it will have ceased to exist. Floods, drought, wars, pandemics, climate change. In a world ever smaller and more connected, encouragement is needed.
Mum had unshakeable graciousness, although her hand executing cigarette / ballet pirouettes put the fear of foreign emulsification in brothy ox tongue soups / Strong foundations based on love, respect and loyalty with times of grieving — an empath for a neighbour or relative
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
When Kenneth Hugh Gittins is in the room and crash-tackling the conversation, well, eat your heart out Salvador Dali and Walter Mitty. Conversations turn surreal, fact-checking expeditions run aground. A charming teller of truths and tales (some tallish and some Himalayan), this rustic raconteur has perplexed many an audience or congregation and delighted many a grandkid and great-grandkid with his reminiscences.
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