Section: Arts And Culture
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Isabella Fels
- 11 April 2017
9 Comments
In the sorry past when it came to men I could hardly say amen. I had really been messed up, not blessed, by them. I'm well over 40 now and no man has ever gone down on bended knee. I was always being put to the test. Not just in looks but in the superwoman contest. I tried to be everything to them and more, yet failed miserably as I was shown the door time and time again. Nothing worked no matter how hard I worked. But lately, I have changed my way of thinking.
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ARTS AND CULTURE
- Peter Evans and Brian Doyle
- 10 April 2017
8 Comments
Yes, you did follow him into the palace courtyard. You had boldly vowed to follow him to the end. Now you are there. They are torturing him within as you sit with the guards without, outside in that damned courtyard and wait by the dying fire. 'What am I doing here?' you ask yourself, uneasy and lonely in the dark glow. 'But at least I am here.'
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ARTS AND CULTURE
- Gillian Bouras
- 04 April 2017
6 Comments
Small wonder there is a particular surge of interest in dystopian novels: many people feel times have never been so troubled or so complicated, although I remember my father pointing out that people felt the same when the longbow and later gunpowder were invented. Amazon recently reported that Orwell and Huxley are selling like hot cakes. This at a time when certain purveyors of doom are lamenting the fact that 26 per cent of Americans, for example, did not read a single book during 2016.
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ARTS AND CULTURE
- Ian C. Smith
- 03 April 2017
Riding her gondola, a skimpy thing like herself, she sees her balloon ablaze, begins her descent, feathered hat lost, a rushed farewell performance. The house roof's pitch steep, her rigging tangled, fire almost out, burned, broken, she can't hang on, she who once remained aloft all night over Rome.
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ARTS AND CULTURE
- Tim Kroenert
- 30 March 2017
1 Comment
A film about a lonely widower who repeatedly attempts suicide seems like a grim proposition. Ove has suffered one too many blows in his life, the latest being the loss of his job. He finds himself at a loose end, if not purposeless. He is the self-appointed overseer of the gated community where he has lived for years, enforcing protocols of behaviour among his terrorised neighbours. Now he's had enough, and decides to join his beloved wife Sonja, in eternity. But dying doesn't come easily to Ove.
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ARTS AND CULTURE
- Juan Garrido-Salgado
- 27 March 2017
1 Comment
Pain is a cold food like garbage left, no compassion ... Compassion, bread and old wine, waste in a temple to worship money and power. Mankind has lost its root system thirst for happiness. Our bread is autumn leaf tossed into the branches as the bird dies. They make wine from the waters of these rivers suffering bloodied by the blood of Syrian children. Wine is the blood of indifference on the streets of Palestine. The wine is the blood of cruelty in Nauru ... why are you silent?
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ARTS AND CULTURE
Danny sang of farm labourers, poachers, mariners, union martyrs and miners. He did not simply perform the songs - that would be too much like exploiting them. His aim was to help preserve them. When he introduced a song it was clear that he had great respect for the tradition in which he fitted and that he had done extensive research into the song's provenance. The songs were important because of how they recorded aspects of working class life which mainstream histories might neglect.
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ARTS AND CULTURE
- Tim Kroenert
- 22 March 2017
All stories that deal with time travel will come up against paradoxes. Generally the success of the story will come down to how capably these paradoxes are dealt with, and how consistently with the story's internal logic. Otto Bloom turns on the concept of time as an extension of the physical dimensions. If time is as tangible as physical space, then all events in time are occurring simultaneously. That we perceive time as moving in a particular direction is a feature of our human consciousness.
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ARTS AND CULTURE
- Martin Flanagan and David Adès
- 20 March 2017
6 Comments
This hunger that gnaws endlessly in my guts will be the death of me, but is the life of me, because in braving yourself to the emptiness something is born, something happens. Watch and observe, tell the story well, make it an expression of your sanity, which is otherwise at risk from waves generated by the outside world and past regrets.
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ARTS AND CULTURE
- Tim Kroenert
- 15 March 2017
1 Comment
The power of Jones' film comes from bringing us the faces and voices of the victims in the present day; to hear in their words and see in their manner the ongoing trauma of those experiences. It is a timely and illuminating exploration of the impacts of child abuse, arriving during a period when many of our Australian institutions, religious and otherwise, have been facing the probing spotlight of a royal commission for behaviour that was at times equally as secretive, and traumatic.
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ARTS AND CULTURE
- Michael Sariban
- 14 March 2017
3 Comments
When she fell, at last, out of this life, I caught him as intended, solid as belief ... eyes raised, palms turned to Mecca, his fixed magnetic pole. A Vienna bronze, perhaps 1920s, most likely a Jewish workshop - a fusion of metals and cultures, before Holocaust, West Bank or Gaza; a figure in robes, on a small carpet, its yellows and reds realistically creased, his sandals ... Aesthetics ranked high in her life - a second, earthly religion - all the style she could afford in the world her parents had fled to.
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ARTS AND CULTURE
- Tim Kroenert
- 08 March 2017
2 Comments
Mildred would later say of Frank that 'he always took care of me'. Yet this telling of the story shows a more mutual exchange of strength and support than such a statement might imply. The Lovings' entanglement with the state of Virginia would ultimately lead to constitutional change in favour of interracial marriage, and Loving portrays Ruth as the main agent of the battle. At a time when cultural appropriation has become much talked about, this film by a white filmmaker shows a different way.
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