Section: Arts And Culture
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ARTS AND CULTURE
The sound of my old yard broom, worn bristles rasping the brick path, wet with last night's rain, picks at a faint memory that grows louder with each stroke, and carries me back across borders of seasons, lives and landscapes, to a time of rubbing gumboots sucking through the quickmud, hands hugging mugs of steaming tea, the uphill heartbeat of the engine, the baby bleating of hungry calves, voices cussing and coughing, and the scrape of yard brooms pushing back the tide of muck ...
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ARTS AND CULTURE
- Ellena Savage
- 16 May 2016
2 Comments
When my alarm goes off in the morning I reach for my phone: check mail, check ABC, check Twitter. Get up, make filter coffee, pour one. Open my diary and spreadsheet, start working. Pour my second coffee. Eat something, clock calories in. Go for a walk, pick up whatever groceries, clock calories out. Back to work. If whatever I am working on isn't very interesting, this accounting for a day, after day, after day, is fairly sad. But it's also just living a life in 2016.
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ARTS AND CULTURE
The film explores the dynamic between men and their ageing parents, as Frank, trying to make up for neglecting his relationship with his own dead mother, clashes with Sarah's neglectful adult son. Essential to this sifting of family and belonging as central to the identity of suburban males, is a rumination on houses as homes versus property. As a real estate agent, Frank is repeatedly chastised by a young father who feels increasingly priced out of the market.
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ARTS AND CULTURE
An honest tackle trucks two junior footballers tangled across the boundary line of the arena before the barrier between hoi polloi and gladiators, the tackler fouled again, the ball out of play, an elbow stab to the ribs, a knee seeking a crotch in this small town that yearns to be a contender, the fair team fitter, faster, braver, ahead.
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ARTS AND CULTURE
Despite its epic scope it is also deeply intimate and, dare I say, spiritual. Roy regards his son with a mixture of stern, protective love, and helpless wonder. They are joined in their quest by Roy's childhood friend Lucas, a state trooper converted to Alton's cause after literally seeing the light in his eyes. Also by Alton's mother, Sarah, who of all the cohort has the most direct experience of the 'sense of awe' that ultimately unfolds from the 'mystery' of Alton's story.
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ARTS AND CULTURE
- Yuan Changming
- 03 May 2016
6 Comments
No belief without a lie. No business without sin. No character without an act. No coffee without a fee. No courage without rage. No culture without a cult. No entrance without a trance. No epicenter without an epic. No Europe without a rope. No freedom without a reed. No friendship without an end. No fundamentalism without mental fun.
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ARTS AND CULTURE
- Kristin Natalier
- 27 April 2016
4 Comments
The federal government's new ad aims to 'stop violence from the start'. It sends a strong message that violence is never acceptable. But it firmly positions domestic violence as a problem of individual attitudes of perpetrators, not the social and economic vulnerability of victims. Envisaging an end of domestic violence achieved through 'starting conversations about respect with boys and girls' sidesteps the need for the material resources necessary to stop violence when it happens.
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ARTS AND CULTURE
- Peter Gebhardt
- 27 April 2016
1 Comment
The children are in the park today, running, skipping and laughing. They slide down the cannon, polishing the past with freshly-pressed pants, a mother's delight. 'Always tell the truth,' the mother says, 'If you lie, you'll burn.' ... The day is closing, patient and gentle in its suffering, but the great lies will not lie down. Lies breed lies like flies on dead sheep and the masquerade of maggots makes its creep.
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ARTS AND CULTURE
As a parent you learn to shore yourself against those uncomfortable questions from your offspring, but not all uncomfortable questions are created equally, and right up there with 'Mummy, where did I come from?' is the question: 'Am I your favourite?' Last week, US research published in the Journal of Family Psychology found that 70 per cent of mothers admitted to favouring one child over another. Whatever my usual protestations, do I do this too? Unfortunately, sometimes, I think I do.
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ARTS AND CULTURE
- Tim Kroenert
- 21 April 2016
3 Comments
Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
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ARTS AND CULTURE
- Barry Gittins
- 20 April 2016
1 Comment
When you make a meal of body politic you've got to crack the whole thing open, season to taste with bestrewn flakes of policy offal and prejudged bakes ... serve offshore detention? Just add water, salt to taste and erase border. Grind those grubby unions, peel any sign of party donations and extractions from sorbeted cosseted carapaces. Stop the gloats, straighten up and get flyers Right ... Serve pre-heated post May's entree of budget salad.
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ARTS AND CULTURE
- Tim Kroenert
- 14 April 2016
1 Comment
The show's implicit subversiveness runs deep. It is embodied in the fact that its cast consists of mostly Black and Latino performers portraying White characters, using a vernacular and musical styles popularly associated with these cultural groups. It thus stands as a riposte to the history of black/brownface and whitewashing in popular entertainment. Crucially, in a show about 'founding fathers', it is the story's women who not only provide its emotional core but are also the most fundamentally heroic.
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