Section: Arts And Culture
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ARTS AND CULTURE
- Barry Gittins
- 06 November 2015
6 Comments
I never thought I'd do the whole high school reunion thing. Yet here I am, nametagged and ready to face the music, along with 50 of my fellow 1985 alumni. I recognise some straight off. Others mystify. Teenagers trapped in the amber of middle age. High school was genuinely hard for many of us. Some have died. Some entered Boggo Road's then-penal walls. Some are still paying for decisions made back in those mid-80s. Memory propels the sail of our union and we've left safe harbours.
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ARTS AND CULTURE
- Tim Kroenert
- 29 October 2015
The Loners are not merely hapless prey, but represent a kind of ideological resistance. They enforce singleness as brutally as The Hotel does couplehood, and a night-time raid on The Hotel has strong overtones of terrorism. It's another layer to Lanthimos' kaleidoscopic allegory — a commentary on radicalisation, with this brutal underground existing as a direct result of the oppression enacted within an equally brutal mainstream. They are two faces of the same violence.
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ARTS AND CULTURE
- Femi Morgan and Ajise Vincent
- 27 October 2015
1 Comment
A first child is a road child / He paths the field of joy / Phantasmagoria of moments / First panic, first pain, first cry / That tears the joy in your father's eyes /There is more to life / Than Sponge Bob and Ben / Be wiser than the tortoise / They may go extinct / Except in books and stories / Be careful with the holy communion / Of the boys / That dark sparkling liquid / That bitter-sweet music of the times.
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ARTS AND CULTURE
- Paul Micallef
- 26 October 2015
9 Comments
My brain lacks a degree of 'pre-programming'. I am naturally open-minded and non-judgemental. When asked a question I immediately (often dispassionately) think of many possible solutions. This is great for questions like 'How can we improve this system?', and less good for questions like 'On which body part do you wear your pants?' The secret to learning social rules is in understanding emotions. Knowing what is 'appropriate' often comes down to how it makes the other person feel.
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ARTS AND CULTURE
- Tim Kroenert
- 22 October 2015
2 Comments
Brilliant but volatile chef Adam humiliates and physically assaults a female colleague, Helene, over the heinous crime of mis-cooking a piece of fish. The encounter ends with Helene telling Adam to keep his hands off her and storming out. Yet clearly her justified indignation has its limits: in the very next scene she is shown madly rehearsing cooking the dish whose mangling sparked the incident. The glossing over of this abuse reinforces the notion that creative genius somehow excuses arsehole behaviour.
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ARTS AND CULTURE
- Sarah Klenbort
- 21 October 2015
6 Comments
A young man introduces himself: Ashley. He has sandy blond hair, a lithe body and an ease and grace with the kids. The lessons are free, but my daughter doesn't wait to for this explanation; she's already picked up a unicycle. 'You need a helmet first,' Ashley explains, and I tap my daughter's arm and sign, 'Helmet'. 'Does she read lips?' he asks. 'If you could just look at her when you're talking,' I say. 'Okay,' he says with the slightest trepidation. 'She's d-d-deaf and I have a stutter.'
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ARTS AND CULTURE
- Paul Smith
- 20 October 2015
4 Comments
Where is one who through friendship will be faithful to me ... who with a reprobate such as me will act kindly, mercifully? / Real friendship is so difficult to find because it means of the other thinking more than oneself, loving the other, sincerely. / True friendship means equality, listening, putting oneself in the other's shoes and seeing out of those eyes ... differently! / Friendship that matters is not one-sided, lacking in interest: a lasting friendship is one of selflessness, a thing of beauty!
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ARTS AND CULTURE
- Tim Kroenert
- 15 October 2015
1 Comment
In 1974 eccentric French acrobat Philippe Petit walked a tightrope between the recently completed Twin Towers of the World Trade Center. He and his team of accomplices, aware of the illegality of what they were doing and the complex physical challenges of rigging a cable between 400-metre-tall skyscrapers (let along walking on it), spent months scheming in secret. On the day, any number of unforeseen circumstances could derail the intricate plot. The Walk recreates the feat in vertiginous detail.
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ARTS AND CULTURE
- Patti Miller
- 14 October 2015
13 Comments
I have always felt guilty about an inability to commit to any belief system. So when Montaigne said 'Only fools have made up their mind', I felt an enormous sense of relief. He knew that those who are certain are the ones to shut down newspapers, lop off heads, blow up planes, burn books. There is a thread throughout his essays, too, of him finding sex undignified and therefore unfitting for grown men and women. It is one of his many contradictions and confronts me with my own contradictory attitude.
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ARTS AND CULTURE
- Brian Doyle
- 13 October 2015
6 Comments
I am present in the kitchen window at 7.39 exactly if at all possible, to be given the gift of a kid licking his window, or a kid waving at me, or one little kid inarguably and thoroughly picking his nose. You wouldn't think that a boy picking his nose would be a glorious and poignant and thrilling and joyous sight, something that seemed truly and deeply holy, but it sure was, to me. All children are my children and yours and the bus bounces down the street every morning and we are not dead and all is grace.
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ARTS AND CULTURE
- Tim Kroenert
- 08 October 2015
2 Comments
A Black Mass is a travesty of the Catholic Mass in worship of the devil. In this instance it is a metaphor for FBI agent Connolly's devotion to violent criminal Bulger, due in part to the social benefit he attains through his association with this powerful criminal, but running all the way back to a formative childhood encounter that is hinted at but not articulated in detail. Of the flatly villainous Bulger and the morally complex, wilfully compromised Connolly, the latter is the more palpably evil.
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ARTS AND CULTURE
- Gillian Bouras
- 07 October 2015
9 Comments
Well, I know the dehumanising rot began to set in a long time ago. I have a vision of George Orwell sitting on a cloud and wringing his hands in renewed horror, for now the business model and associated language appears to have taken over the world. In short, the changes in aged care could be counterproductive, as the aims of streamlined access and equity may result instead in the development of barriers and more inequity. Growing old clearly means more hard work, and more adjustment.
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