Section: Arts And Culture
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Kevin Gillam, Deanne Davies and James Walton
- 02 July 2013
There is no balm for the yearning of eucalypts. Candlebarks stretch up this vaulted wanting. Dahlias splash an insane chant over a paddock, a calf nods and backs into a startled wander. One day she might raspily lick the mystery of my supplicant salty palm.
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ARTS AND CULTURE
- Shira Sebban
- 01 July 2013
4 Comments
Since time immemorial, philosophers have argued that we are social animals. Yet it was not until my father's death that my longing for community became urgent. I'd once asked him if he would like to be buried in the same cemetery as his parents in Toronto, or in Melbourne where he'd lived for more than 30 years. 'We should be buried within the community where we live,' he replied.
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ARTS AND CULTURE
- Barry Gittins and Jen Vuk
- 28 June 2013
5 Comments
A young writer has crash tackled the ugly questions of non-consensual sex, coercion and the male privilege and misuse of power that can flow from sporting success. Yet when it comes to our football codes — let alone our political arena — a conversation needs to move beyond gender name-calling or the 'us and them' polemic.
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ARTS AND CULTURE
- Tim Kroenert
- 27 June 2013
Luciano pleads with two startled widows at a funeral, who reassure him that he is on the right path to getting into 'the house'. While they think they've offered comfort to a troubled seeker, he thinks he's received an inside tip from Big Brother's spies. The dissonance between his pursuit of fame, and the comfort found by others in religious faith, is profound.
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ARTS AND CULTURE
Where were you? Not in the dark car, inside that shrunken space, on its slow glide to the boneyard. Perhaps in the white lineage of your brothers at the altar, or traced on your crucifix — your DNA, your trust.
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ARTS AND CULTURE
- Tim Kroenert
- 21 June 2013
1 Comment
Violence is a messy business, even when it is your 'business'. To father, husband and mafia boss Tony Soprano, the conflicting demands of being both a family man and a 'family' man present numerous moral, practical and emotional conflicts. In this role, James Gandolfini took viewers from the softest to the hardest potentialities of human nature.
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ARTS AND CULTURE
- Tim Kroenert
- 20 June 2013
During a lecture at the Max Planck Institute of Molecular Cell Biology and Genetics in Dresden, biologist Geoff Burton speaks of the agonising genetic disorder that claimed the life of his infant son. He insists that his subsequent research into prenatal diagnosis and treatment is not related to eugenics. But merely naming the slippery slope doesn't negate it.
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ARTS AND CULTURE
If you were a familiar Irish cap, and had waited all night every night for 30 years for the blessing of the morning when he'd reach for you, knead you and fold you gently over his ungovernable hair, wouldn't you wonder where he was the first few days after he vanished, and feel something like a silent sadness?
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ARTS AND CULTURE
- Susan Adams, Peta Edmonds and Lyn McCredden
- 18 June 2013
3 Comments
A man swims back to you like a friendly dog. Asks you for spare change. He hasn't eaten since Thursday and it's Sunday now in the city. You empty your wallet of all its coins. $2.70. The city is heavenly, full of karma. A kid with a snake tattooed on his wrist gives you two cigarettes.
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ARTS AND CULTURE
- Tim Kroenert
- 13 June 2013
Pete lives with his grandfather at an abandoned drive-in cinema outside a remote community. When a mining company threatens to reclaim the land and demolish their home, he sets out across the harsh outback to confront this corporate Goliath. If he is to survive he must draw upon the traditional wisdom his grandfather has passed on to him.
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ARTS AND CULTURE
You planted gum trees / For every family member / Some grew, some faltered. You shuddered at crows / Their cawings a foretolling / Of endings to come. You smiled and whispered / 'I may be gone for some time' / Skin like polar ice ...
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ARTS AND CULTURE
- Tim Kroenert
- 06 June 2013
5 Comments
In the 1920s New York society of Gatsby, money is literally God: benevolent to some; laying waste to the lives of others. It's a tough call whether Luhrmann has deliberately dumbed down Fitzgerald's text in order to appeal more readily to a mass market. If cinema was a medium to excite the eyes and ears while relaxing the brain, he'd be a master.
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