Section: Arts And Culture
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Tim Kroenert
- 30 August 2012
18 Comments
They stop short of calling it Go Back to Where You Came From: Celebrity Edition, but it's hard to escape the view that SBS is going out of its way to top the ratings success of the original series. There's not much insight to be gained from watching Catherine Deveny and Peter Reith snipe at each other, fun as it may be.
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ARTS AND CULTURE
- Brian Doyle
- 29 August 2012
7 Comments
I remember Maureen McArdle's neck in front of me in the third row, that smug smarmy neck gloating and preening as she bested me in maths and social studies and science, receiving one gold Jesus after another, whereas I earned a series of silver Jesuses as long as your arm. 'At least it is not a bronze Jesus,' my mum actually said once.
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ARTS AND CULTURE
- Earl Livings
- 28 August 2012
1 Comment
Somewhere else car bombs split-screen the news. Somewhere else couples harangue vows and baggaged fears. Somewhere else children mimic fashion of what works what conceals. Here ... Silence infuses skin and thought ... Much like that pause before a newborn's first surprise of light.
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ARTS AND CULTURE
- Tim Kroenert
- 23 August 2012
8 Comments
One moment he is an elderly beggar woman, so stooped that all 'she' sees is stones and feet. Next he is a monstrous vagrant, who crawls out of a sewer and terrorises passers-by with hilarious ferocity. He integrates seamlessly with his environments, and others interact with him as if this — this — is his true face.
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ARTS AND CULTURE
- Benedict Coleridge
- 22 August 2012
6 Comments
All is not quite lost. There's still Michelangelo's David in the Academia — that's 'famous' and always makes for a good Facebook album cover. But after queuing for two hours, you feel rather underwhelmed — David isn't the 20m high statue of a ripped male you had been expecting, and there isn't a secret passageway leading from his gluteus maximus to a torture chamber beneath the Vatican.
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ARTS AND CULTURE
- Stuart Barnes
- 21 August 2012
1 Comment
Dark shadow, I don't love you anymore. (You're deadly, the sea of Ezekiel; the flame forever roiling the bush ...) I don't think I ever did.
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ARTS AND CULTURE
- Brian Matthews
- 17 August 2012
6 Comments
Like a uniformed and undirected army, they queued end to end, an implacable wall of yellow and green. The trams seemed to squat somehow lower on their shiny rails — and all their lights went out. For more than a month they paralysed the city and everyone could see the government had entered its last days.
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ARTS AND CULTURE
Author Kathy Lette recalls: 'We girls were little more than a life support system to a pair of breasts ... Once I realised Germaine Greer wasn't just rhyming slang for beer, I wanted to write down our story.' Puberty Blues is what you get when teenage girls with a grudge show the world what they're made of.
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ARTS AND CULTURE
- Gillian Bouras
- 15 August 2012
3 Comments
Things were speeding up. Greece entered the European Community, banks were throwing money at every Tom, Dick and Spiro, credit cards seemed a form of modern magic. The party is over now, and the ones who have survived in the best shape are the older villagers who never expected a party and so did not join in the spree.
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ARTS AND CULTURE
- Philip Salom
- 14 August 2012
Death is different at night ... A cool light we gently call dawn enters the tree tops and so enters me. I am entering the next world ... Can it be in some secret way I am dead?
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ARTS AND CULTURE
- Binoy Kampmark
- 09 August 2012
3 Comments
Hughes was part of that movement of Australian artists and intellectuals — Germaine Greer and Clive James among them — who fled to Europe in the 1960s. Yet he was unable to escape the antipodean orbit he found arid and constricting. Australian reference points followed his pen with nagging persistence, a permanent shadowing.
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ARTS AND CULTURE
- Tim Kroenert
- 09 August 2012
2 Comments
The anti-American rhetoric is direct and effective, the phrase AMERICAN WAR OF AGGRESSION a recurring, pulsating slur. Yet who would deny it, faced with this photographic account of Vietnamese suffering? There are at least two versions of any war, and this is theirs. But there are others.
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