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Those of us who write regular columns have little time for introspection. We are too busy getting up the next article. But we are frequently prompted, sometimes by our disappointed readers, to ask what we are up to. Every now and then our readers deserve a personal response.
#MeToo, a movement founded and nurtured by Tarana Burke (a civil rights activist and a woman of colour), was intended to be collective and accessible. By contrast, in Australia we are seeing a mainstream picture of women's liberation that ignores a longstanding struggle for diversity, genuine inclusiveness and radicalism.
There is political hay to be made in convincing the right that the ABC has a leftward bias. The strategy counts on short memories. When Labor was in power, it would routinely complain that, in being too stringent with government, the ABC was aiding the Coalition. This only suggests that the ABC does its job, no matter who is in charge.
While the female-led outcry continues, those men benefitting from the imbalance ought to question their privilege. Instead of carrying sympathetic white roses into the Oscars, they should use the opportunity to question their own complicity in accepting roles in movies where women are inadequately represented.
Does watching this ridiculously premised film full of obnoxious characters, complete with smatterings of Singlish, make me feel culturally represented? Yes. There are threads of cultural recognition in the Southeast Asian locations and the Chinese customs that resonate, as well as the cultural mobility of various characters.
Here we have a quick demonstration of a new political method. It's not designed to advance any particular policy position. The point is trolling: the simple art of using rhetoric and political acts to provoke a reaction. Suddenly a lot makes sense. Tony Abbott makes sense. Donald Trump makes sense. So much of social media makes sense.
Following Grace's account of her encounter with comedian Aziz Ansari, I have had many conversations with men I love and admire, about how we define consent, how we define intimacy, and how a man's aggression, while not being criminal, can still be harmful. I, like many women I know, have been Grace.
Last week, executives from Facebook, Google and Twitter had to answer questions about how their platforms were used to influence voters in the 2016 US elections. It is a significant moment. Other media like radio, newspapers and TV have never been grilled like this, though Fox News and The New York Times surely influence voters, too.
In literary studies, one of the most important requirements is the need to define one's terms accurately. It has always come as a shock to me that economics is almost completely devoid of such precision. Much of the terminology of the 'discipline' of economics is either nonsense, or thinly disguised tautologies.
In real life, 'me too' happens in whispered conversations between close friends. I carry these women's secrets inside me like dark polished stones. I marvel that such strong, capable, ordinary people, from loving and functional families, could be survivors of child sexual abuse. None of them has written 'me too' on their status. I checked.
Hollywood houses and produces its own hypocrisies. Issues are literally reduced to screen-like dimensions. Complexity vanishes. But more to the point, abuses behind the screen become apologias, the justifiable vicissitudes of having a dream industry. It entails a pact between the dream maker and participants, where all are soiled.
There are very few examples of companies that have been able to genuinely change when confronted with new circumstances. It looks increasingly that Facebook and Google are approaching this situation. The challenge is likely to come from some quarter that is new and surprising, just as the demolition of conventional media came from companies that could have barely been imagined 20 years ago.
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