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Author: Ellena Savage

  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 09 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • MEDIA

    Unmasking Elena Ferrante diminishes her radiant magic

    • Ellena Savage
    • 06 October 2016
    1 Comment

    Happily, I do not know who the 'real' Elena Ferrante is. Happily, I have blocked my eyes and ears to the unfolding, the unmasking of the Italian author whose anonymity allowed her the freedom from scrutiny to give us seven novels that document the slow burn indignities of poverty and sexism and ambition. How can we accept this gift, a woman writing about the most abject of female pleasures, the darkest impulses, and then demand that she answer inane questions at a writers' festivals?

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  • EDUCATION

    Students are not the monsters in our universities

    • Ellena Savage
    • 02 September 2016
    6 Comments

    In the golden era, I suppose, only a handful of people, selected for their potential to contribute to certain class formations, went to university. And then there was a shift, and this occurred with the supposedly democratising process of neoliberalisation. But neoliberalisation went a bit far and now we don't know how to tell our students that while they are entitled to real attention from their teachers, a lot of the time their teachers are basically volunteers for the charity called their expensive education.

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  • ARTS AND CULTURE

    Forget conspiracies and own your complicity

    • Ellena Savage
    • 08 August 2016
    4 Comments

    The talking heads say the same things I once heard on Illuminati documentaries. In place of Pharrell Williams making suspicious hand gestures though, the blame for the unpleasant outcomes of a healthy free market is bestowed on the western world's maligned: refugees, Indigenous people, queer people, the working poor. These talking heads, who feel desperate and inferior because they have never contributed anything to anyone other than themselves, are eschewing their complicity in harm.

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  • ARTS AND CULTURE

    Worn and wasted by election day shambles

    • Ellena Savage
    • 08 July 2016
    3 Comments

    The OIC makes a dramatic speech about the integrity of live ballot papers, that there will be no repeat of the Western Australian kerfuffle, that we have our booklets that contain all the answers (and many typos, too). He seems nice. Maybe a little skittish. Not someone I'd imagine would be hired to run an office or manage a kitchen or even wait tables, but he must know what he's doing. This speech is the last demonstration of authority I witness on this day.

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  • ARTS AND CULTURE

    The bleak ballad of Wilson Parking

    • Ellena Savage
    • 10 June 2016
    13 Comments

    When my friend and I get to the payment station of the car park, it says we owe 70 bucks, which can't be right because we got the early bird special which was a quarter of that, so, nah. We call the parking lot people and they say look at the fine print, it clearly states that the early bird deal only applies if you leave the car park after 3pm. Wilson Parking is a subsidiary of a subcontractor of Transfield Services, which runs security at Nauru and Manus Island. I grow petulant and say I'll wait til 3pm.

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  • ARTS AND CULTURE

    21st century binge and purge

    • Ellena Savage
    • 16 May 2016
    2 Comments

    When my alarm goes off in the morning I reach for my phone: check mail, check ABC, check Twitter. Get up, make filter coffee, pour one. Open my diary and spreadsheet, start working. Pour my second coffee. Eat something, clock calories in. Go for a walk, pick up whatever groceries, clock calories out. Back to work. If whatever I am working on isn't very interesting, this accounting for a day, after day, after day, is fairly sad. But it's also just living a life in 2016.

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  • AUSTRALIA

    Homeless Persons Union holds state to account

    • Ellena Savage
    • 15 April 2016
    2 Comments

    When we talk about the 'housing crisis' we are often referring to the plight of young working people and migrants struggling to tap into a property market that has been made a prestige market. This has been incentivised by tax breaks for investors, and is symptomatic of the culture of hoarding family wealth for the purpose of passing down class privilege. The Bendigo Street occupation reminds us that the 'housing crisis' is one and the same as the homelessness crisis; not a crisis of scarcity, but of policy.

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  • AUSTRALIA

    Queer experience is not limited to trauma

    • Ellena Savage
    • 18 March 2016
    24 Comments

    'Coming out' is a gesture specifically, politically required of queer people but not of straight people. Another statement demanded of queer people is that they are injured and traumatised by the fact of their sexuality or gender. But why call on individuals to testify when the statistics are heartbreaking enough? This demand on queers to continually deliver narratives of oppression limits their social roles, and even invalidates their voices on matters other than their sexualities and genders.

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  • ARTS AND CULTURE

    Harper Lee and the death of moral certainty

    • Ellena Savage
    • 22 February 2016
    7 Comments

    My friend Z lives in Detroit and is rocked by the racial segregation she's exposed to there. When we were 15, she and I bonded over the passionate conversations Mockingbird inspired. 'I was in awe of Atticus,' she recalled as we reflected on Lee's death. 'I desperately wanted him to save the accused black man. Maybe if I had read it at my age now, I'd substitute the black man for the hero.' She articulated what I couldn't: that as moving a piece of rhetoric Mockingbird is, it is no longer adequate.

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  • ARTS AND CULTURE

    Reading in end times

    • Ellena Savage
    • 19 February 2016
    5 Comments

    There's a part in Murakami's Norwegian Wood, I told a friend, where a character loses someone, and walks for weeks around Japan until he reaches the beach, where he just stares out to sea. I feel so desolate, I said, that that's what I want to do. I don't know for sure that that's what really happened in the book, or if I was really that desolate ... Maybe that's what reading is for; to build a repertoire of emotional and social situations in order to connect with feelings that don't have words.

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  • AUSTRALIA

    Life in procrastination nation

    • Ellena Savage
    • 22 January 2016
    4 Comments

    Where does this need for punctuality, performance and productivity arise? I don't believe it is rooted so much in 'western culture' as it is in capitalism. There is, after all, time for many kinds of dithering in the literature that charts western society. Socrates could barely tie his own sandals — he'd never make his job network meeting on time. Hamlet is entirely premised on the drama of procrastination: some things, like killing one's paternal uncle who is also the king, seem better fit for tomorrow.

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