author: Tim Kroenert

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  • ARTS AND CULTURE

    A bad trip to the pits of human experience

    • Tim Kroenert
    • 29 November 2018
    3 Comments

    The cast of mostly unknowns is multiracial and spans the spectrum of sexual orientations and gender identities. Not long ago that might have seemed transgressive, but these days it seems like the least that could be hoped for from a piece of mainstream entertainment.

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  • ARTS AND CULTURE

    Fake news about 'fascist' Queen

    • Tim Kroenert
    • 01 November 2018
    20 Comments

    Some creative choices see Bohemian Rhapsody veer from fairytale to fake news. Displacing 'Fat Bottomed Girls' allows the filmmakers to write out the exploitative publicity stunt for that song. By skipping The Works tour, they can conveniently ignore how the band flouted the UN's cultural boycott against apartheid era South Africa.

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  • ARTS AND CULTURE

    Faith through a different lens

    • Tim Kroenert
    • 15 August 2018
    1 Comment

    Julianne Nguyen turns a smartphone, webcam and head-mounted go-pro to the purposes of self-examination. A child of Vietnamese parents but born in Australia, she practises Christianity and Buddhism, and is trying to parse these various elements. 'I'm Australian. I feel Vietnamese,' she says, then chants: 'West. East. No, West. No, East.'

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  • ARTS AND CULTURE

    Comedy and trauma in Nanette and Funny Cow

    • Tim Kroenert
    • 01 August 2018
    1 Comment

    Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.

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  • ARTS AND CULTURE

    Returned soldiers mask sorrows with scams

    • Tim Kroenert
    • 25 July 2018
    2 Comments

    This sleight of hand from Albert sets a pattern, as the two go on to collude on an elaborate ruse, selling Edouard's designs for patriotic memorials that they never intend to build. Edouard, having plumbed the depths of opiate addiction, comes alive in the scam, a puckish schemer in a series of elaborate papier-mâché masks.

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  • ARTS AND CULTURE

    Tales of the modern migrant

    • Tim Kroenert
    • 11 July 2018

    'In the Beginning Was the Word' opens with Angelina D'Costa, 'five years to the day after she stopped being a Catholic', entering a church, determined to confront a popular priest who is known to have covered up for another priest who abused children; only to be moved to submission by the familiar beauty of the Mass.

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  • ARTS AND CULTURE

    The unsung hero of great Australian films

    • Tim Kroenert
    • 29 June 2018

    Film buffs might regret there's not a more detailed technical breakdown of Bilcock's craft. Still it it is a warm-hearted tribute to the art of editing, the process by which a film takes its final form, often as different from what was shot as the footage isfrom the original script; and to one editor whose sense of character and audience is hailed by these directors as defining their films.

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  • ARTS AND CULTURE

    Portrait of a killer at school

    • Tim Kroenert
    • 27 June 2018

    My Friend Dahmer, based on the memoir by John Backderf about his teenage friendship with the soon-to-be killer, is a complex character study of which Dahmer's troubled home life, repressed homosexuality, abuse of alcohol, and experiences of bullying and social alienation are motley features rather than defining characteristics.

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  • ARTS AND CULTURE

    Outback Australia after the plague

    • Tim Kroenert
    • 12 June 2018

    With the downfall of white society, Thoomi and other Aboriginal people have abandoned their white-established communities, to return to the land. Through embracing ancient communal practices, they are proving far more resilient than their white counterparts. It is through them that Andy may ultimately discover the key to survival.

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  • ARTS AND CULTURE

    Fractured family in the house of grief

    • Tim Kroenert
    • 06 June 2018
    1 Comment

    The pressure starts to get to Annie when she begins to suspect her mother is haunting her. This exacerbates pre-existing tensions; her husband is caring in a mildly condescending way, but is more concerned with the wellbeing of their children. Is the haunting real, then, or just a symptom of Annie's reluctance to let go?

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  • ARTS AND CULTURE

    Ted Kennedy's darkest hour

    • Tim Kroenert
    • 30 May 2018
    2 Comments

    Chappaquiddick notes the effects of these expectations on Ted's actions, without sympathising. 'I'm not going to be president,' he murmurs, by way of announcing Kopechne's death to Gargan. He comes off as more pathetic than Machiavellian, the future Liberal Lion rarely having the courage of his convictions.

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  • ARTS AND CULTURE

    Gurrumul's gift to the world

    • Tim Kroenert
    • 23 May 2018
    5 Comments

    At the time of his death in July last year, Geoffrey Gurrumul Yunupingu was the most commercially successful Aboriginal Australian musician to ever grace this world. Anyone expecting Gurrumul to resemble anything like your typical popular music documentary will be quickly dissuaded. Gurrumul was a far cry from your typical popular musician.

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