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Keywords: Elena Ferrante

  • ARTS AND CULTURE

    Why I wish I'd never met Philip Roth

    • Sarah Klenbort
    • 01 July 2021
    53 Comments

    While we can’t conflate accusations against Roth’s biographer with his subject, this recent Blake Bailey scandal invites us to revisit, through a 21st century lens, the world of someone considered one of the definitive writers of the 20th century.

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  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 09 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • MEDIA

    Unmasking Elena Ferrante diminishes her radiant magic

    • Ellena Savage
    • 06 October 2016
    1 Comment

    Happily, I do not know who the 'real' Elena Ferrante is. Happily, I have blocked my eyes and ears to the unfolding, the unmasking of the Italian author whose anonymity allowed her the freedom from scrutiny to give us seven novels that document the slow burn indignities of poverty and sexism and ambition. How can we accept this gift, a woman writing about the most abject of female pleasures, the darkest impulses, and then demand that she answer inane questions at a writers' festivals?

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  • ARTS AND CULTURE

    There's hope for mediocre women

    • Ellena Savage
    • 19 June 2015
    13 Comments

    I have a friend who tells me she loves seeing what she terms 'mediocre women' at the top of their fields, especially in public, because it shows that feminism is working. Some women have made a success of themselves as men have always done, through acquiring privilege and seizing opportunities with a sense of entitlement, rather than by the myths of brilliance and sacrifice. I like this perspective. 

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