keywords: Gillian Bouras

  • CONTRIBUTORS

    Gillian Bouras

    • Gillian Bouras

    Gillian Bouras is an Australian writer who has been based in the Peloponnese, Greece, for more than 30 years. She has had eight books published; another (Seeing and Believing) is accessible via her website. Her journalism has been published in six countries. She has three sons and three grandsons, with one son living permanently in Australia, so she herself has had to learn to live with 'the divided heart'. But Gillian herself will always be Aussie.

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  • ARTS AND CULTURE

    The value of novels

    • Gillian Bouras
    • 26 July 2021
    11 Comments

    I was at university when I first heard of the so-called death of the novel, and was frightened by the thought. But I’ve since heard the phrase many times during the ensuing decades, and am cheered by the fact that so far the novel has clung to life, albeit precariously, while novelists persist in writing, despite the many drawbacks attendant upon the practice.

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  • ARTS AND CULTURE

    A new view of exile

    • Gillian Bouras
    • 18 May 2021
    17 Comments

    Even though I tried to count my blessings and to avoid my besetting sin of self-pity, migration was hard. And decades later I still think it was hard. Sometimes I wonder how I survived it.

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  • INTERNATIONAL

    Remembering revolution

    • Gillian Bouras
    • 25 March 2021
    9 Comments

    In normal times this month would be one of great celebration in Greece and throughout the diaspora, for 25 March marks 200 years since the Greeks rose in revolt against the Ottoman Turks. But not this year: student parades have been banned, while military ones will go ahead with strict safety measures in place.

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  • ARTS AND CULTURE

    Tattoos and the endless learning curve of life

    • Gillian Bouras
    • 11 March 2021
    26 Comments

    Of my three sons, two have tattoos. Not all-over body-as-art ones, but tattoos, nonetheless, with my army son leading the way. When he rang to tell me about this new venture, I sarcastically remarked that the only way I could cope with a tattoo was that if it depicted a heart, an arrow and the message MUM. Needless to say, a guffaw greeted this remark.

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  • INTERNATIONAL

    On the beach, in the storm

    • Gillian Bouras
    • 02 February 2021
    15 Comments

    It was all very quiet, and the waterfront was practically deserted. But I suddenly noticed a sole woman right at the water’s edge. She had her back to me, but I saw her lift what was clearly an icon, which she then venerated. I couldn’t hear her precise words, but it seemed obvious she was repeating the forms of the liturgy to herself.

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  • ARTS AND CULTURE

    The way we were at Christmas

    • Gillian Bouras
    • 08 December 2020
    18 Comments

    When I was small we spent Christmas camping by a river in NE Victoria. The festivities began on Christmas Eve, when campers and residents of the township of Bright gathered for carols by candlelight. During the singing of my favourite ‘Good King Wenceslas,’ I never wondered about the absence of snow ‘deep and crisp and even.’ I don’t imagine anyone else did, either

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  • ARTS AND CULTURE

    Politics and morality

    • Gillian Bouras
    • 27 October 2020
    20 Comments

    The leaders of these nations, as well as acting amorally, have also apparently thrown the ideal of common civility to the winds. What are we to make of heads of government who hurl insults and are economical with the truth, use the gag continually, and turn their backs when those in opposition are speaking?

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  • ARTS AND CULTURE

    Tall Fences, Taller Trees and film as resistance

    • Arnold Zable
    • 06 October 2020
    4 Comments

    Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.

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  • ARTS AND CULTURE

    Keep on walking

    • Gillian Bouras
    • 29 September 2020
    17 Comments

    Here in Greece, people seem to be smoking less and walking more. Gone are the days when long walks were measured in the time it took to smoke x number of cigarettes, the cigarettes being considered compensation for the walking, for the latter was equated with work and certainly not with pleasure. But the practice of walking can, of course, accomplish great things.

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  • ARTS AND CULTURE

    Autistic representation and Love on the Spectrum

    • Alex Creece
    • 11 August 2020
    7 Comments

    With all its good intentions and charming participants, Love on the Spectrum is for the neurotypical eye. Just like The Undateables, a similar show from the UK, it takes the inner machinations of disabled lives and creates entertainment for non-disabled viewers. Autistic representation on television is rare, which makes it all the more alienating when these few depictions exist purely for everyone else’s warm-n-fuzzies.

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  • ARTS AND CULTURE

    Born free

    • Gillian Bouras
    • 28 July 2020
    21 Comments

    During times of crisis concepts such as power and liberty are often brought into the light and re-examined, and it is a sad fact that during those same times, people in power often try to chip away at liberty, at democracy’s most basic freedoms: several current world leaders immediately spring to mind.

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