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In the early 20th century, the Salvation Army emerged as a dominant player in the nascent film industry. From pioneering filmmaking techniques to navigating the first moral dilemmas around film censorship, their cinematic journey is a fascinating, often-forgotten chapter in film history.
The Lion King roared onto screens 30 years ago, capturing hearts unlike any Disney film since. But as the entertainment giant stumbles, it's worth considering the enduring magic of Simba's story and why modern Disney has struggled to recapture that spark.
Why do we often find ourselves locked into courses of action that seem destined for failure? Despite calls for Biden to step aside following a shaky debate performance, the President stands firm in his re-election bid. Is it time we valued the courage to change course as much as we value the courage of one’s convictions?
It's been eight months since the Voice referendum, and people are starting to grapple with what its defeat means for Australia. There are few voices in Australia as qualified to conduct a postmortem of the outcome of the Voice referendum campaign as Frank Brennan. We examine what lessons can be learned and crucually, whether there’s reason for hope for Indigenous constitutional recognition.
With Furiosa, George Miller returns to the Mad Max franchise that launched his almost five-decade-long career. Apocalyptic wastelands with their cacophony of blaring engines and vistas of desert panoramas are second nature to him by now. But fans of the film (myself included) must sadly admit that Furiosa is tanking at the box office, and is only the most recent in a string of female-led actioners that have flopped.
Featuring a stellar cast of Hollywood’s finest actors, Apple TV's Extrapolations was a bold attempt to center a TV narrative around the dangers of our future on a warming planet, yet failed to capture audiences. But where Extrapolations failed as an effective cautionary tale for society, it may have succeeded as one for filmmakers.
I have played Gandhi, King Tut, gangster, giant, elf, / but a lifetime of lifetimes destroyed my mental health: if you’re all things to all men, you’re no one to yourself.
In a world captivated by streaming services, binge-watching hides a hidden crisis: writers and actors, cornered by the very industry they've enriched, face financial hardship and clashing with corporate greed, resonating with global struggles around labor and human value.
While the female-led outcry continues, those men benefitting from the imbalance ought to question their privilege. Instead of carrying sympathetic white roses into the Oscars, they should use the opportunity to question their own complicity in accepting roles in movies where women are inadequately represented.
That Hollywood has a gender equality problem is not in doubt. The conversations around what constitutes assault and harassment, and about how Hollywood culture reflects and reinforces equality in society at large, is vital, and sophisticated. The standard of what we should expect is being constantly raised. It should be.
Hollywood houses and produces its own hypocrisies. Issues are literally reduced to screen-like dimensions. Complexity vanishes. But more to the point, abuses behind the screen become apologias, the justifiable vicissitudes of having a dream industry. It entails a pact between the dream maker and participants, where all are soiled.
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