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Australia is quietly confronting a national crisis: one in every four Australian children has been a victim of child sexual abuse, but you would never guess the scale of this crisis, given the lack of urgency from our national discourse.
Good poetry stops us in our tracks, visited as we are by whatever it is that has stopped the poet in his tracks. This agency may properly be, as in Walcott's case, something stemming from cultural marginality, from a fascination with the dramatic, from an equipoise between the lyrical and the epical, or from the interweaving of all these. (From the Eureka Street archives)
University fee hikes have disproportionately affected humanities students, particularly those from disadvantaged backgrounds. Despite promises of affordability, many arts degrees now cost more than $50,000, a significant barrier to access for many talented students.
Are women truly the villains that modern crime dramas portray them to be? Despite the sensationalised 'evil woman' trope, real-life statistics tell a different story. It’s a cruel irony that the way to really victimise a woman is to tell her that she is the perp when she really is overwhelmingly more likely to be the victim of violent crime.
Early every month Australians with big mortgages anxiously wait to find out if the Reserve Bank will raise interest rates and put more pressure on their domestic budgets. It is a bit like waiting for pronouncements from the modern day equivalent of the Delphic oracle.
What's the appeal in Australian noir crime fiction? The genre has always been popular in Australia, and Australian writers of crime fiction have always had plenty of material to draw on. Led by authors like Garry Disher and Jane Harper, it has experienced something of a renaissance during the last decade.
Jerry Seinfeld makes his directorial debut Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
To identify children as terrorists is a distraction from considering the broader social and psychological contexts that made this violent ideology seem reasonable. The larger task in investigating how they became exposed to that violent ideology, how they were attracted to it, and how they can be drawn away from it.
Love is a much-used word, and, like domestic cutlery, it tends to lose its shine. Its boundaries then shrink to the average rather than to the inspiring. For that reason we need stories that stretch the ceiling of love beyond anything we could imagine. Not because we think that we could reach such far places, but because it enlarges the horizon of our lives.
Recognition is not simply an acceptance of facts. It involves also entering the experience of the people affected. Reconciliation must begin with truth telling, flow into empathy, and be followed by a conversation aimed at building decent relationships.
In the face of developments where the commons are intruded upon for private profit and economic efficiency, we need to treasure such unfashionable concepts as the commonwealth, the common good and the houses of commons – the places for deliberation and decision where what is in the common interest is given priority over the benefit of the few.
Generosity is most heartwarming when it is a habit. We see it in people whose first inclination is to give something to a beggar, to stop and listen to a hard luck story, to think first of persons affected by war and economic crises and only secondly to policy, to welcome people into their homes and to go out of their way to help.
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