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Keywords: Michael Keaton

  • ARTS AND CULTURE

    The time to look away from abuse crisis has gone

    • Richard Leonard
    • 28 January 2016
    18 Comments

    This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.

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  • ARTS AND CULTURE

    Quietly uncovering a Church scandal

    • Jim McDermott
    • 28 January 2016
    4 Comments

    Not long ago a priest visiting from abroad told me that the story of Spotlight doesn't really apply to his country. 'We don't have that problem here.' It's a comment you get somewhat regularly from some parts of the world. Would that it could only be true. Without a much greater willingness on the part of the institutional Church to let itself be broken and changed by what we have learned since January of 2002, it's more likely a sign of disasters still to come.

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  • ARTS AND CULTURE

    Ten films that got us thinking in 2015

    • Tim Kroenert
    • 17 December 2015
    2 Comments

    From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.

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  • ARTS AND CULTURE

    Birdman or (The Totally Expected Sin of Hollywood Narcissism)

    • Michael McVeigh
    • 01 March 2015

    With Birdman or (The Unexpected Virtue of Ignorance) winning the Best Picture Oscar, a lot of people are pointing out the fact that three of the last four Best Picture winners are about movies, or the act of making them. That's not including 2011 winner The King's Speech, which was about the art of performance. That Hollywood loves itself a little too much is an obvious, and probably valid, conclusion to draw. But the deeper question to ask is why films like Birdman resonate so strongly. Read more

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  • ARTS AND CULTURE

    Doomed actor's devastating ego trip

    • Tim Kroenert
    • 22 January 2015

    Riggan's ego is immense. The action takes place backstage during the days leading up to the premier of his latest vanity project, and onstage during a series of previews. Riggan is out of his depth, prone to humiliating blunders, including one that results in a near-naked dash through the crowds of Times Square. But his resolve to affirm his greatness in the eyes of a media and public that has dismissed him is maniacal.

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  • ARTS AND CULTURE

    Toy Story 3's vision of heaven and hell

    • Adrian Phoon
    • 08 July 2010
    4 Comments

    The toys are brought to a landfill, where they are dragged towards an incinerator, a fiery pit equivalent to any vision of Hell confected by Dante. It's harrowing stuff for an animated feature, but you can never tell what the toys find more threatening: death itself or the despair of becoming obsolete.

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