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Al Pacino is an actor we’re inclined to take for granted, given his presence in some of the greatest popular films of the last half century, not least his Michael Corleone in Coppola’s Godfather trilogy, which revealed an actor of extraordinary stature. Sonny Boy is a consistently diverting and illuminating book by a man who has little pomp and circumstance about him.
If you care about theatre and film and television you should be grateful to have lived at the same time as Maggie Smith. She was an artist of incomparable power and nuance, of tremendous wit and complementary poignancy. The Harry Potter kids are lucky to have experienced such style and know-how and grace.
Blanche DuBois is a character defined by her fragility, and her descent into madness is a harrowing testament to the pressures of a society that offers little mercy to women. But when Blanche is portrayed as a figure of power and defiance, she lacks the vulnerability of her predecessors and the logic of her descent into ‘madness’ isn’t as clean-cut.
To be complicit, must you share the same intent? If one says nothing, does nothing, does this signify complicity? Is there then such a thing as an innocent bystander?
When Donald Trump was found guilty of 34 counts of falsifying business records, it represented a long-awaited triumph of the rule of law in the United States. But the verdict may not mean much in the long run, and has not affected Trump's popularity among voters. Watching Trump’s conviction from afar prompts us to consider how good we have it.
In the latest Quarterly Essay profile of Peter Dutton, author Lech Blaine may well describe his work as character delineation, rather than character assassination. But we seem to be at an impasse in Australian market of ideas, and scorn gives greater bang for the buck than dialogue.
Jerry Seinfeld makes his directorial debut with Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
There just doesn’t seem to be anywhere that demands a consistent standard of dress. Even a trip to the theatre, once an occasion to dress up, has become a place of anything goes. Has the casualisation of dress gone too far?
It’s that time of year when futurists and prophets play fast and loose, projecting visions rife with both promise and peril, weighing the possible against the improbable. As we contemplate competing pictures of the future, although every forecast risks missing the mark, one thing is certain: 2024 won’t be a year for the faint-hearted.
The bandage around my knee drew the practitioner’s eye, and my attempt to talk it away as a minor issue was no match for her professional perseverance. While I waited, she called in a specialist from orthopaedics, who took a good look at the affected area and warned me that unless I presented myself at outpatients very soon, ‘this could kill you’.
Why another Christmas Carol and why now? This version takes a detour from Dickens’ original delving deeper into Scrooge’s past, painting him not just as a villain, but as a victim of circumstances. It suggests that behind every act we hastily label as ‘cruel’ lies a story of fear and anxiety, and a flesh-and-blood human being. And forgiveness, then, becomes an acknowledgment of our shared human frailty.
When exploring the ties between Federal Budget week and Laudato Si’ Week, it becomes clear there's an urgency to address economic inequality and climate change as a single, intricately linked problem. While the latest budget promises minor benefits, it lacks robust measures to tackle these major issues.
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