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Of the notorious Australian low-budget genre films of the 1970s and 1980s, few would feature 'social commentary' as a selling point. But then, few have the distinction of being based on a Peter Carey short story.
During the 1970s, Australian cinema experienced what many now regard as its golden age. Who were the maverick filmmakers gleefully scuffing up the flipside of that glittering coin, and why does Phillip Adams despise them so?