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'For me, talk of the death penalty evoked the young, frightened faces of Scott and Emmanuel, as well as the laughing, haughty faces of Amrozi, Mukhlas and Imam Samudra.' Full text from Frank Brennan's session on 'Killing People for Killing People', Ubud Writers Festival, 17 October 2008.
'Lee and Christine Rush are your average Ozzie couple, except that their teenage son Scott is on death row in Bali having been convicted of being a hapless drug mule. It will not go down well on the streets of Jakarta if Australians are baying for the blood of the Bali bombers one month and then pleading to save our sons and daughters the next month.'
In 1932, Todd Browning's Freaks sought to unsettle with the 'otherness' of its circus sideshow performer characters. A modern-day festival of films by and about people with disability emhasises not otherness, but humanity.
Cult filmmaker Romero fears that new media has, rather than democratising the news, led to increased tribalism that is divisive rather than unifying. He articulates these fears in his latest high-concept zombie film, Diary of the Dead.
The Iñigo Film Festival features films that reflect spiritual experience or the link between faith and justice. The Judas Pane plays upon traditional understandings of the gospels and critiques the subjective depiction of religious icons.
The supernatural elements in The Orphanage provide an allegory for Laura's grief for her lost son. But it's the tangible, human elements that will leave both mind and gut churning late into the night. Be prepared to lose sleep.
Kate Cherry reviews Creating frames: Contemporary Indigenous Theatre by Maryrose Casey.
Archimedes has been in Queensland discussing science communication. Can it change society?
Judith Wright was not just a much greater writer than most of the artist-activists who had preceded her, but also a much greater activist.
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