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In May a German study revealed that one in three students in Berlin would consider sex work as a means of paying for their education. We've seen similar phenomena in Australia. In Sleeping Beauty, Lucy is a university student who finds herself drawn into working a bizarre niche in the sex industry.
The Christian Brothers have made efforts to atone for cases of child abuse that occurred in their institutions. That Oranges and Sunshine condemns them universally is due less to malice than to the fact that the filmmaker's sympathies sit squarely with the victims.
'Gran' from ABC1's Angry Boys is irreverent enough to be her charges' friend, authoritative enough to demand respect, compassionate enough to earn real affection. Australian comedian Chris Lilley differs from other satirists such as The Chaser. Their humour is often nasty. His is marked by warmth.
Karen has just been released from prison and is determined to make a fresh start. This means finding an honest job and reconnecting with her toddler daughter. No easy task for an Aboriginal ex-con whose own mother can't forgive her.
First he built a church, an act of penance and a bribe to God. Next came 40 years in self imposed isolation. Neither act could replace the course he needed to take: to confess and accept responsibility; the only true salve for guilt.
Hatred against paedophiles and fantasies of violent retaliation are stoked by gossip around dining room tables. Snowtown portrays the evil that humans are capable of under mundane circumstances, and the devolution of morality when it is nourished by sick ideologies.
Director Brendan Fletcher calls it 'mad bastardry': a 'masculine energy' that is often either expelled through violence, numbed by alcohol, or both. Mad Bastards explores the roots and some solutions to male Aboriginal aggression.
A company pay slip is found in the pocket of a migrant who was killed in a terrorist bombing. A nosy journo notes the company's apparent failure to notice their employee's absence, and threatens to run a story about indifference and neglect. The human resources manager slips into damage-control mode.
Nawal, disgraced and exiled from her Christian village for an affair with a Muslim man, conceals her crucifix and hitches a ride on a bus laden with Muslims. Shortly, the bus is halted by a squadron of bloodthirsty Christian militants.
Pavel's meanderings are soundtracked by rock music blaring through his earphones. Increasingly the iPod seems to symbolise some nonchalant skein that isolates self-centred youths from the world around them.
Steven is a flamboyant gay Texan who becomes a compulsive conman in order to fund his extravagant lifestyle. When his crimes land him in prison, he finds in fresh-faced fellow inmate Philip a new object for his obsessions.
Christian defeats a bully using violence more severe than that which he suffered. He learns a frightening lesson about the capacity of violence to still conflicts. Casey Heynes, whose videoed retaliation against a school bully became a hit on YouTube, can probably relate.
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