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I'm a 36 year old white Australian who grew up middle class in suburban Adelaide. I can count on one hand the number of households in the streets I lived on which were always-already made up of a mum-dad-kids scenario. The research on children's attachment, development and resilience shows kids need meaningful, culturally appropriate relationships with caring and competent adults in order to thrive as human beings. These adults can be pretty much anyone as long as they fit that bill.
A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.
The lower wage for players in the AFL women's league has serious equity implications, beyond the clear discrepancy between men's and women's wages. In order to train three times a week, many players will be required to relocate closer to their clubs. This puts their day jobs in jeopardy, meaning only those who can afford to change jobs or take time off can afford to play. This has the potential to seriously skew the playing group towards those who are from higher socio-economic status.
Perhaps what will ultimately convince media and entertainment companies that it is in their interest to be sincere about diversity is that there's money in it. A UCLA study found that in 2014, eight films that had diverse casts (out of 163) also had the highest median global revenues and returns on investment. In addition, TV shows with majority non-white casts rated extremely well, even among white households. This challenges conventions around what media consumers find appealing.
'I'm doing it for my kids.' This is how some supporters of Brexit explained their position before the referendum. Yet 75 per cent of voters aged 18 to 24 voted to Remain. It seems the message from 'the kids' to older voters was 'thanks, but no thanks'. The same can be seen in domestic politics here in Australia. We often hear politicians and voters talk about the effects of a policy on future generations. Yet the issues of concern to young people themselves simply don't get much attention.
Across the political spectrum, Australia's major and minor parties are failing to reflect the multicultural Australia of the 21st century. We have fallen far behind similar nations like Canada, who elected 19 Indian-Canadians alone, and ten indigenous parliamentarians, at their last election. Who we elect to our parliament is not just about the gesture, it is also a reflection of where power lies within our society, and whose voices are given the space to be heard to represent the community.
By the standards of papal documents Amoris Laetitia is a baggy elephant. Many in the developed world hoped the document would break new ground in allowing communion to the divorced and adopting new attitudes to gay marriage and gender issues. They will be disappointed that it works within traditional definitions of marriage, gender and discipline. But Francis' insistence on going out to people where they are with full respect for who they are demands an even more radical change of heart.
Even if his views and rhetoric are radical, everything else about Sanders is so within our comfort zones that they become more palatable. It's difficult for any progressive to get into power without aligning with powerful groups, whether they be politics, class, culture or gender-based. And Clinton is already disqualified from a club with arguably the most stubborn membership of all - the 'boys club'. For any feminist, it's hard to view the installation of the first female president as anything but progressive.
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
The movement to end violence against women needs men in positions of influence, such as Australian of the Year David Morrison, to add their voices to those of the women spearheading the campaign. Male religious leaders can play an important role, but must first confront an important question: if one of the key causes of family violence is gender inequality, can they speak with authority if they are part of an institution that has no women episcopal decision-makers or leaders?
Australia woke on 26 January to the news that David Morrison had been named Australian of the Year. One of the most striking features he displays is empathy. It is a quality in vanishingly short supply in public discourse, yet is fundamental. Unless we can put the individual on a broader canvass, our world view is incomplete. I am important, but unless you are recognised as being just as important as I, then you are just a plaything for me. My rights are bounded by your rights, your value as a person.
It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.
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