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I can't imagine how anyone could look at the Melbourne Cup and see a vision of the 'fair go'. On the contrary, much hostility to horse racing — this year's Cup attracted the smallest crowd since 1993 — stems from a perception that its rituals celebrate grotesque inequalities.
While Melbourne has long been the city of protest, it is also a major global centre for quality protest music. The songs are defiant, political, loud and proud; they're staunch, they're angry, they're educative, they're funny and they demand to be listened to. These local bands are full of women, queer-identifying people, or people of colour.
More recently, Mammon has dominated the Melbourne Cup. It has been targeted by wealthy international owners and stables who buy up the most likely stayers in order to buy the result. It has also been used by corporations to fuel their engines of misery that suck money and life out of many Australian families.
Health care professionals at the Royal Melbourne Children's Hospital have begun to do what could not be achieved by reports from the UN Special Rapporteur on Torture and Australia's Human Rights Commission. The doctors and staff are refusing to release children they treat back to the detention which caused their problems in the first place. By this brave act has begun the slow task of pouring daylight (always the best antiseptic) into this gaping wound in Australian society.
In contrast to the sectarian suspicion expressed by elements of non-Catholic Australia towards Melbourne’s Archbishop Daniel Mannix, who opposed military conscription during the First World War, his Perth contemporary Archbishop Patrick Clune was lauded during the war as ‘pro-war effort, pro-conscription, pro-empire and pro-crown’. Clune travelled from Perth all the way to the Western Front so as to minister to the Catholic soldiers sent there, and he enjoyed warm relations with Protestants and Jews.
Culture in Australia is big business. The role of director of an art gallery involves all the flash of celebrity and the smoky mirrors of politics. Now that the Art Gallery of NSW has announced the appointment of its new director, the pressure is on for Melbourne's NGV.
The 'quarter life crisis' is perhaps a Gen Y phenomenon where, despite a dedication to 'experience' and 'connection', one feels life is hollow. The greatest weakness of Any Questions For Ben? is that it offers pat answers to existential questions, where perhaps it should offer none.
Last week's medical error at Melbourne's Royal Women's Hospital threw into sharp relief Australians' 'split personality' in celebrating conception but turning a blind eye to the rights of the unborn. I am not writing from lofty heights. I had an abortion at age 30.
When I first heard of the Melbourne Storm tragedy, I laughed. My attitudes to games had remained stuck in an ill-spent childhood in which a little cheating was part of playing games. Even now, I confess, I enjoy stories of cheating done in style.
Widespread subject cuts and reductions in staff numbers have eaten away at students' plans and rendered the new breadth component impotent. Horizons seem to be shrinking, which makes it increasingly difficult to 'dream large'.
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