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There are more than 200 results, only the first 200 are displayed here.
Tully is a funny film, with a serious core: a tribute to the labour of child rearing, a dissection of the substantial physical and emotional burden of this work, and a 'show-don't-tell' critique of the social norms that frequently sees that burden fall, still, primarily on women.
Early traumas last, the experts say ... but memory can resemble an old wound that presages damp days or, like a sharp new line, make one gasp again. What violence do they endure who with nightmare slowness flee a wolfish past? And are theirs unexamined lives who have attained the modern armour-plated dream?
The moment in Power Rangers when Cam Watanabe turned into the Green Samurai, I looked at my son's face and could sense what it meant to him. Pop culture validates or marginalises, depending on who is in the frame. Who gets to be seen and heard, and under what circumstances, are political decisions, whether consciously or not.
The #MeToo movement, exposing harassment and abuse through personal stories, was no surprise to me. I couldn't be less surprised at the scale and depth of subjugation women still experience. But we must also recognise that women's disadvantage is a continuum where sexism meets ageism.
As I drop my daughter at daycare at 6:30am, to be looked after by someone else who I then have to pay, to go to work to earn enough money to pay our rent and daycare, I am struck by how much our system is failing families. It was a failure of my own empathy that I only came to understand this after I experienced it personally.
Today we celebrate the tenth anniversary of what was a graced day in our nation's history. Back then, our elected representatives on both sides served us well. A heartfelt apology was given and received. We are all the better for it.
The mood was subdued at the gates of our small Catholic primary school at 3:30pm on Wednesday. Ten per cent of our school's students have an autism diagnosis, and for their parents who had read Pauline Hanson's comments to the Senate that afternoon, those familiar feelings had been activated yet again.
Nana's favourites were chain-rhymed stories such as 'The Old Woman and her Pig', and 'This is the House that Jack Built', both of which I try to communicate to my grandchildren. My sister and I never realised how we were acquiring tastes for story and rhythm, or that we were exercising our young memories, our capacities for recall, as well.
You'd swear a dinghy was alive. Sometimes she was sluggish and moody, refusing to set, dragging me along a grey sea. Or she hurtled like a stallion, not caring if we won or if we went over, me hanging off the side by my ankle straps, not knowing where we would end.
Australia's incoherent urge to 'lead' in the Asia Pacific while refusing to meaningfully reflect on the responsibilities this would require has left us floundering in the face of what the United Nations has called the 'ethnic cleansing' of Myanmar's minority Rohingya population.
The UK's Yorkshire moors seem like an ideal setting for a crude yet beautiful film about two shepherds falling in love. What's even better is a director bringing to the film his own history of such a place, adding the depth of familiarity with both the land and those who live off it. Such is the case with one-time Yorkshire farm boy Francis Lee's directorial debut, God's Own Country.
My research lately has focussed on the future of work. In particular, I've been interested in what's known as the graduate outlook: what employers expect of university graduates and how university graduates have fared in terms of work. I've looked more broadly than this, into expectations of how work generally is expected to change, and I've looked more narrowly too, at the future of lawyers' work.
73-84 out of 200 results.