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In normal times this month would be one of great celebration in Greece and throughout the diaspora, for 25 March marks 200 years since the Greeks rose in revolt against the Ottoman Turks. But not this year: student parades have been banned, while military ones will go ahead with strict safety measures in place.
Twenty-five years from his death we gather to remember, swapping anecdotes like bank notes weathered in our wallets. The one on how as deputy he’d learn, while pausing in a doorway, the names of all three hundred new Year Sevens in a week. And how when actors failed to show for one of his rehearsals, he’d stride the stage himself.
He came in, sat down, and we talked about Henry Lawson. He was well read in the field, having encountered Lawson not only in a small way at school but especially at home where his mother had given him an anthology of Australian stories and he’d come across ‘The Drover’s Wife’. We hit it off: he was pleasant, engaging and witty and we resolved to continue our talk in the near future.
The river flooded during the battle, surging so wide, so deep, that two days of eager slaughter were postponed. I won't polish away 80 years of tarnish. The brass cartridge still grips its bullet just the way you found it while walking your dogs. A misfire.
Identifying the true nature of things, and capturing their horror or charm? Let’s give it a crack. I recognised and recognise still that there are few humans who will ever approach Les Murray's heights of linguistic mastery and vision of life. But one thing I felt I had in common with Les, apart from our shared rustic heritage, was anger.
Closing the leap on February’s door, its Easterly thrashing at night. Our skins stretched feet obese — the heat of it leaves crisp-dried. Scratching down the street, we’re wishful thinking the old seasons.
I still mainly look back. The bushfire legacy lives on. It acts as a benchmark for assessing tragedy and hope. I cannot get the searing images out of my head of red, angry skies, of flames raging frighteningly, embers flying, and firefighters miraculously persevering against the odds.
With blazes nearby, TV news bars well on fire, we human animals are panicked, feel the shudder of rotors above our roofs. Very soon thirsty helitankers will thunder down to drink from our neighbourhood lake. May we remember tomorrow, nothing will be more worried than pelicans in broken reeds, the night heron in its naked tree.
This year the contrast between the original story of Christmas and its Australian circumstances has cut even deeper. Bushfires have taken lives, destroyed properties and spread smoke and ash over cities. If the theme of the first Christmas was one of hope and joy, behind the bushfires this year lurks anxiety about the future of the world.
Staring toward the stringy picture through a linguistic lens I have begun to see that the elderly magic, deplored by most religions, was a daughter of coincidence mathematically robed in some downright glorious colours.
It's difficult to move in this landscape. Haunted and fragile and tragic, there's no place that is benign. A cursed house, the Greeks might say.
Thank God for Bollywood and daytime TV. For the all night partyers and marathon love makers. For the hash brownie bakers, the nut crackers and pot-stirrers ... the drum-beating banjo-twanging wannabe musicians ... the incense wafting up from the first floor through our bathroom vent — frankincense I'm tempted to think.
13-24 out of 200 results.