Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
As an outspoken psychologist and best-selling author, Jordan Peterson become a lightning rod for debate on culture, gender, and the meaning of life itself. His newest book, We Who Wrestle With God, attempts to reinterpret the Bible through a psychological lens. Yet, some critics question whether his explorations of scripture offer revelation or revisionism.
Michelle de Kretser's new book Theory and Practice is a creative combination of fiction and essay, and concerns the moment in which the encounter with literature, a connection with another human imagination, is replaced by something called 'Theory'.
Al Pacino is an actor we’re inclined to take for granted, given his presence in some of the greatest popular films of the last half century, not least his Michael Corleone in Coppola’s Godfather trilogy, which revealed an actor of extraordinary stature. Sonny Boy is a consistently diverting and illuminating book by a man who has little pomp and circumstance about him.
If only those who send their nation’s youth to war would read Muse of Fire, World War I as seen Through the Lives of the Soldier Poets. It is both homage and horror story. It carries the reader across several fronts – the disparate journeys that led these men to the killing fields of Europe, the blood-soaked chrysalis from which the words of the war poets arose.
The grief of Hamish’s death shaped the words and, slowly, the words shaped the grief. Both shifted a gear in me, and in how the world is viewed. This is natural when an axis is tilted. Some look to grief to be healed, but this, to me, for me, is the wrong word.
Good poetry stops us in our tracks, visited as we are by whatever it is that has stopped the poet in his tracks. This agency may properly be, as in Walcott's case, something stemming from cultural marginality, from a fascination with the dramatic, from an equipoise between the lyrical and the epical, or from the interweaving of all these. (From the Eureka Street archives)
In my part of the world, the earth has begun to awaken from its winterlong sleep. The colours of the day are changing and the earth and its attendant branches of family are blooming into beauty.
Conforming and belonging to a genre, in this case, ‘post-colonial, outback noir eco-fiction’, does not mean that a novel is not worthy. With rich symbolism and lyrical prose, Hills challenges readers to confront uncomfortable truths about Australian history, land ownership, and the inescapable consequences of past actions.
The spiral metaphor ties together 800+ pages of lyrical meditations, environmental rage, and historical reflections from Australia’s most celebrated and prolific poets. With powerful social critiques that blur poetry's lines, Kinsella's work rewards close reading with its deep exploration of our connection to a changing world.
In her new Quarterly Essay Highway to Hell, Australian climate scientist Joëlle Gergis pleads in language beyond the careful neutrality of traditional science-speak: ‘We need you to stare into the abyss with us and not turn away.’
These unpublished treasures of my father’s are sure to strike a chord amongst those readers whose hearts wander among the more hidden byways, as I have discovered within myself.
To be complicit, must you share the same intent? If one says nothing, does nothing, does this signify complicity? Is there then such a thing as an innocent bystander?
1-12 out of 200 results.