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To close the year for Eureka Street, the editorial team wanted to nominate who we considered to be the Eureka Street ‘person of the year’ based on this year's newsmakers.
It’s becoming an age of Endarkenment. Was it ever thus? So many going mad with one half of the facts? Moved by ignorance and targeted misinformation, compassion becomes corrupted into a rage for vengeance, and our streets heave with mobs who chant hate. It’s made me worried and sad. But I won’t give up on Christmas.
While a time of joy and celebration for many, Christmas amplifies hardships like loneliness and poverty for others. This year, the festive season is overshadowed by global issues such as war, climate change, and ongoing conflicts, reminding us of its origins in a period of oppression and uncertainty.
The next week or so can be a very selfish time, but it does not have to be. Christmas brings hope. The prospect of peace. The possibility of joy. These coming days truly are the best time to be human, to share what we have and who we want to be.
In December, the sprint to the end of the year is a drama of timing, perfectly illustrated in Christmas classic Die Hard: In the holiday rush, like Hans Gruber, we plot with precision. Yet life often demands we improvise like John McLane, finding the most welcome gifts of the season in the unscripted moments.
The Crown, that extraordinary TV series about the British Royal Family, is drawing to a close, with the final six episodes released in the prelude to Christmas. In the meantime, the producers have shrewdly done a quartet of episodes about Diana, with Australia's Elizabeth Debicki giving a dazzling performance as ‘the People's Princess’.
Despite all the reasons not to send Christmas cards, this year I decided to revive my card-sending custom. What appeals most about card sending is it has the attraction of being almost rebellious; a small gesture of maintaining personal connections in a world that can sometimes appear downright hostile to human interaction.
As the world continues spiralling into total chaos, there remains, shockingly, absolutely nothing to watch on any streaming service. And I’m not talking about a lack of options – there’s enough content to drown in, while, ironically, leaving us parched. I know how Coleridge’s mariner must have felt.
Why another Christmas Carol and why now? This version takes a detour from Dickens’ original delving deeper into Scrooge’s past, painting him not just as a villain, but as a victim of circumstances. It suggests that behind every act we hastily label as ‘cruel’ lies a story of fear and anxiety, and a flesh-and-blood human being. And forgiveness, then, becomes an acknowledgment of our shared human frailty.
There is an economic case for acting on the climate crisis but the economics can be a distraction unless we start the conversation at the right place: the environment. A heating climate will cost us trillions. If we don’t act at all, it will cost us everything.
How should our nation reckon with its colonial history and its lasting impact on contemporary society? From the stark realities of early settlement to the enduring legacies of injustice towards Indigenous peoples, this piece explores what it means for a country to grapple with its identity amidst a backdrop of change.
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