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Hatred against paedophiles and fantasies of violent retaliation are stoked by gossip around dining room tables. Snowtown portrays the evil that humans are capable of under mundane circumstances, and the devolution of morality when it is nourished by sick ideologies.
Amid the horror and gloom there have been moments of inspiration in the flood crisis that have largely gone unreported. While they warmly accept the staples of relief, they know through a history of crippling food insecurity and mass displacement that they are masters of their own destiny.
As Meredith approaches, two boys appear on the cliff and call for the boat to turn back. This allegory for the asylum seeker experience is not entirely out of place: Meredith seeks asylum from personal horrors that lie in her wake. But the curdled milk of human unkindness flows readily.
Manny, terrified and bewildered, clutches a crucifix and prays, while lawyers spew jargon-laden bile at one another. It might seem strange to invoke a Hitchcock film at Easter, but we can see a similar horror at work in the trial of Jesus.
Imagine the horror of a completely silent world. The deaf person requires strategies: they must make requests, or provide tactful reminders. Lip-reading is a useful skill, but beards and moustaches can provide difficulty.
How would it feel to be a child soldier in West Africa, forced to rape and kill at the age of 15? And where might you seek redemption amid such horrors?
The supernatural elements in The Orphanage provide an allegory for Laura's grief for her lost son. But it's the tangible, human elements that will leave both mind and gut churning late into the night. Be prepared to lose sleep.
Kirstyn McDermott is Vice President of the Australian Horror Writers Association. Her short fiction has been published in various magazines and anthologies, including Shadowed Realms, Redsine, Southern Blood, Island and GUD.
After many thousands of years, modernity is sweeping away nomadic existence. Cosmologies such as Aboriginal Dreaming encode irreplaceable knowledge of the natural world, and nomadic cultures emphasise qualities of tolerance, adaptability and human interconnectedness.
While the journeys made both by Alice and the children in The Lion, the Witch and the Wardrobe are about escaping reality, the arthouse film Pan's Labyrinth presents fantasy and altruism as the way to transcendence.
White Australians are slow to invent a language which matches this continent and mutes the shock-horror reaction to drought. While politicians talk about Australian values, "little" people are working at a much deeper study of what it means to be native.
My mother seemed like someone else's sister / In a lap of luxury, while they lit their grief / With tales from light years away.
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