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Keywords: Netflix

  • ARTS AND CULTURE

    Comedy and trauma in Nanette and Funny Cow

    • Tim Kroenert
    • 01 August 2018
    1 Comment

    Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.

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  • ARTS AND CULTURE

    PC is reviving comedy, not killing it

    • Neve Mahoney
    • 16 May 2018
    11 Comments

    The views of Kevin 'Bloody' Wilson and Rodney Rude can be summed up in the quote: 'The soft new generation of PC-wary comedians need to grow some balls.' There seems to be a sense that comedy isn't funny nowadays unless it's offensive. But it's more than possible to create comedy that avoids this. In fact, it can be better.

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  • ARTS AND CULTURE

    God in the cell

    • Tim Kroenert
    • 16 March 2018
    2 Comments

    Kane insists God doesn't make mistakes: 'That's what makes him God.' Lena retorts with reference to the Hayflick limit — the naturally occurring limit on the number of times cells can divide. Never mind cancer; the very fact of ageing, she says, comes down to a flaw in our DNA. It's a telling scene, pointing to a scientifically enlightened humanity at odds with its own physiology.

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  • AUSTRALIA

    Best of 2017: Why 'white' isn't a racist slur

    • Sonia Nair
    • 10 January 2018
    5 Comments

    I hung out with a group of Indian-Australians while I was a university student who called themselves 'curries', but the unspoken camaraderie that ensued from this self-identification stood in stark contrast to that time I was called a 'f***ing curry' by a passing car full of white people.

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  • MEDIA

    The sad history of Australian media reform

    • Andrew Dodd
    • 19 September 2017
    5 Comments

    The big media players eventually get what they want by wearing down the government of the day and latching on to whatever opportunity comes their way. This month the government handed them the reform they've long craved while Xenophon attempted to win some concessions. We can assume Australia's media market will now become more concentrated. What we don't know is whether Xenophon's trade offs will do enough to protect public interest journalism and media diversity.

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  • AUSTRALIA

    Why 'white' isn't a racist slur

    • Sonia Nair
    • 13 July 2017
    11 Comments

    I hung out with a group of Indian-Australians while I was a university student who called themselves 'curries', but the unspoken camaraderie that ensued from this self-identification stood in stark contrast to that time I was called a 'f***ing curry' by a passing car full of white people. You often hear from white people that they can't be called 'white' because that too is racist language. This reflects a flawed assumption that societal structures advantage and disadvantage people in the exact same way.

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  • ARTS AND CULTURE

    'Racist' Luke Cage's case for black justice

    • Tim Kroenert
    • 12 October 2016
    2 Comments

    Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.

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  • ARTS AND CULTURE

    The tyranny of the clock

    • Darby Hudson
    • 13 April 2016
    3 Comments

    Thinking my jadedness of the nine-to-five was vindicated, I crossed the road at lunchtime where this tow-truck was waiting its turn at the lights. The trucker had 'Born on the Bayou' by Credence blasting through open windows. Thought he had an amazing sound system. Then realised he had a drum-kit set up on his dash and was going for it with his sticks in time to the tune. He made his day job look easy — and all of a sudden I felt like a small little angry man. He made my week.

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  • ARTS AND CULTURE

    Abuse survivor's other superpowers

    • Tim Kroenert
    • 19 November 2015
    1 Comment

    Following its whitewashing of 'wife-beater' Ant-Man and the Black Widow slut-shaming debacle, Marvel has a long way to go to show it is not one big boys club. Alias, basis of the new series Jessica Jones, is one example of a modern day Marvel comic that, in the words of pop culture critic Roz Kaveney, offers a 'rebuke to the convenient pieties of the comic book', by proving that comics can be thematically rich, and can take serious issues — such as the physical and sexual abuse of women by men — seriously.

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  • AUSTRALIA

    Netflix and Fairfax in an uncaring new media environment

    • Michael Mullins
    • 30 March 2015
    4 Comments

    Netflix and the Daily Mail are not concerned about whether people in a local area get safer roads or a new cancer treatment centre. Nor, it seems, are Fairfax and Newscorp. There was a time when nearly all media outlets were independent of each other, and locally owned by proprietors who cared as much about the welfare of their regions and cities as they did their own bottom line.

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